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Bailey Green
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Bailey Green

Bailey is the former editor-in-chief of Intermission. She's a bilingual actor and writer originally from St. Lazare, Quebec. She hoards books, lives north of Bloor, and spends way too much money on bubble tea.

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iPhoto caption: The cast of Fat Fables. Photo by Roya DelSol.
News

SummerWorks Performance Festival announces 2025 lineup

Taking place from August 7 to 17, the 2025 festival features more than 35 projects and over 200 artists.

By Krystal Abrigo
KYLE BROWN, RICHARD LAM, SYDNEY COCHRANE in The Frogs. iPhoto caption: Kyle Brown, Richard Lam, and Sydney Cochrane in 'The Frogs.' Photo by Dahlia Katz.
Reviews

REVIEW: In Barrie, Talk Is Free Theatre delivers well-crafted outdoor staging of rare Sondheim musical The Frogs

Staged inches from the audience by director Griffin Hewitt, the show commendably captures the free-wheeling, anarchic spirit of the text. It’s a toad-ally great opportunity to see this rarity in the froggy flesh.

By Ilana Lucas
Jeff Lillico as Ralph with Yoshie Bancroft as Mitsue in 'Forgiveness.' iPhoto caption: Jeff Lillico as Ralph with Yoshie Bancroft as Mitsue in 'Forgiveness.' Photo by David Hou.
Reviews

REVIEW: Stratford Festival’s Forgiveness tells a deeply personal story on a sprawling scale

Presented in an increasingly tense political moment, Forgiveness resonates on a level that is part reflection, part warning.

By Charlotte Lilley
Photo of Lara Arabian in Siranoush, next to a photo of BABZ JOHNSTON as GINGER SPICE in WANNABE: A SPICE GIRLS TRIBUTE. iPhoto caption: L: Lara Arabian in promo still for 'Siranoush.' Photo by Robert J. Brodey. R: Babz Johnston as Ginger Spice in Wannabe: A Spice Girls Tribute. Photo by Screamsmedia.
Features

Siranoush and Songs by a Wannabe arrive at Toronto Fringe Festival as part of reimagined Next Stage Series

“It feels lovely to be in this curated window of [the festival],” says Siranoush writer-performer Lara Arabian. "We are excited to have a conversation with the Fringe audience.”

By Mira Miller
Promo photo for Tim Crouch's An Oak Tree. iPhoto caption: Photo courtesy of Luminato Festival.
Reviews

REVIEW: Is Tim Crouch’s An Oak Tree worth seeing twice at Luminato?

Crouch tests the limits of theatrical representation, improvisation, and authorship. While I’m usually a sucker for exactly those types of experiments, I ultimately found An Oak Tree a bit underwhelming.

By Ryan Borochovitz
Jaime Lujan in 'Reina.' iPhoto caption: Jaime Lujan in 'Reina.' Photo by Eden Graham.
Reviews

REVIEW: Documenting seven Toronto indie shows, from Factory Theatre to the Tranzac Club and beyond

I’ve started writing brief reviews of Toronto productions Intermission isn’t otherwise covering, and stowing them away until I collect enough to publish in a batch. And now here I am, with seven.

By Liam Donovan