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Bailey Green
WRITTEN BY

Bailey Green

Bailey is the former editor-in-chief of Intermission. She's a bilingual actor and writer originally from St. Lazare, Quebec. She hoards books, lives north of Bloor, and spends way too much money on bubble tea.

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Production photo of Tara Sky in The Born-Again Crow at Buddies in Bad Times Theatre. iPhoto caption: Photo by Jeremy Mimnagh.
Reviews

REVIEW: The Born-Again Crow is an ardent ode to unproductivity

Director Jessica Carmichael’s Toronto premiere production trucks along with the passionate force of an early-2000s emo rock hit, imbuing this systemic critique with rousing, playful life.

By Liam Donovan
Production photo of House + Body's Measure for Measure at Crow's Theatre. iPhoto caption: Photo by Kendra Epik.
Reviews

REVIEW: House + Body’s Measure for Measure weds the beautiful with the troubling

House + Body provides few answers about how to resist (or further, dismantle) a corrupt government. But layered portrayals of the play’s central characters convey the emotional stakes of a system that allows for egregious abuses of power.

By Ferron Delcy
Production photo of Carried by the River. iPhoto caption: Photo by Dahlia Katz.
Reviews

REVIEW: Red Snow Collective’s Carried by the River is still finding its flow

Playing in the Tarragon Theatre Extraspace, Carried by the River delivers visually striking images and impressive choreography but struggles to find emotional depth and cohesion.

By Krystal Abrigo
Chris Tolley and Laura Mullin, the co-creators of CBC's PlayME podcast. iPhoto caption: Photo courtesy of the CBC.
Features

As the trade war rages on, CBC’s PlayME stays true to its mandate of platforming Canadian writers

“I think all five of these shows really help us plant a stake in saying who we are as Canadians,” says PlayME co-creator Chris Tolley.

By Nathaniel Hanula-James
Rosamund Small in Performance Review. iPhoto caption: Photo by Dahlia Katz.
Reviews

REVIEW: Outside the March’s Performance Review is claustrophobic for all the right reasons

It’s up close and personal, with lots of eye contact and sometimes only inches of distance between playwright-performer Rosamund Small and the audience.

By Gus Lederman
Production photo from Trident Moon. iPhoto caption: Photo by Dahlia Katz.
Reviews

REVIEW: Against a bloody backdrop, Trident Moon pays homage to the power of resilience

Playing at Crow’s Theatre and set during the 1947 partition of India, the intense fictionalized drama offers a graceful depiction of several women’s high-stakes struggle to resist.

By Liam Donovan