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Ali Momen and Talia Schlanger. iPhoto caption: Ali Momen and Talia Schlanger. Photo by Dahlia Katz.

In Theatre Aquarius’ new Tragically Hip jukebox musical, emotion comes first

“This show isn’t about the Tragically Hip,” says director Mary Francis Moore. “It’s about Waleed.” Instead of bending the Hip’s music to fit the narrative, the team has looked for thematic threads and moments where the emotional undercurrent of a song aligns with what’s happening on stage, even if the connection isn’t explicit. 

By Hunter Weaymouth / Apr 21, 2026
Amy Keating, Zorana Sadiq, Katherine Cullen, and Jean Yoon in 'Dance Nation.' iPhoto caption: Amy Keating, Zorana Sadiq, Katherine Cullen, and Jean Yoon in 'Dance Nation.' Photo by Elana Emer.

REVIEW: Coal Mine Theatre’s Dance Nation vaults into the feral, ecstatic mess of girlhood

Played by a cast whose ages range widely, the characters exist in two tenses at once: present-day adolescence and retrospective memory, living these tender years shadowed by the adults they’ll become.

By Lindsey King / Apr 20, 2026
Amaka Umeh, Nancy Palk, Michelle Monteith, Belinda Corpuz, and Sabryn Rock in 'Mary, Mary, Mary, Mary.' iPhoto caption: Amaka Umeh, Nancy Palk, Michelle Monteith, Belinda Corpuz, and Sabryn Rock in 'Mary, Mary, Mary, Mary.' Photo by Dahlia Katz.

REVIEW: Erin Shields’ Mary, Mary, Mary, Mary is brash, funny, and message-forward

At Crow’s Theatre, Mary, Mary, Mary, Mary is a sensory feast fit for any house of worship. But with so much material, and only 95 minutes, I’m left feeling that the Marys have more yet to say.

By Ferron Delcy / Apr 20, 2026