iPhoto caption: Gabriella Sundar Singh in 'Through the Eyes of God.' Photo by Jae Yang.
REVIEW: Anusree Roy’s Through the Eyes of God is a fast-paced, one-woman thriller
This sequel to Pyaasa revisits the themes of motherhood and sacrifice in present-day India through the experience of Chaya, a lower caste Bengali woman.
iPhoto caption: A headshot of David Leyshon. Photo provided by Lighthouse Festival Theatre.
David Leyshon named interim artistic producer at Lighthouse Festival
He joins the company as it prepares its 2026 programming, continuing its mandate of producing comedy-driven Canadian theatre in Port Dover and Port Colborne.
iPhoto caption: Nicholas Eddie and Tantoo Cardinal in 'Witch.' Photo by Dahlia Katz.
REVIEW: Soulpepper’s Witch is thematically alluring but dramatically thin
Jen Silverman’s play aspires to communicate something substantive about the human condition — touching on loneliness, ostracization, misogyny, ageism, yearning, and ego — yet it never quite settles on a cohesive or definitive thesis. Lancaster’s production commits to heady visuals and clever idiosyncrasies to fill the gap, with mixed results.
