Skip to main content

Alan Cumming and Ari Shapiro promise to hold nothing back in thoughtful but naughty cabaret

Alan Cumming and Ari Shapiro.
/By / Mar 7, 2025
SHARE

What do you get when an iconic actor teams up with an accomplished journalist to create an original cabaret? A show with a good lede. 

“The first thing we say is really filthy,” teased Alan Cumming in an interview. The Tony, Olivier, and Emmy Award-winning performer is one half of Och and Oy! A Considered Cabaret, which Brampton On Stage will present at The Rose on March 21. His co-conspirator is Ari Shapiro, one of the hosts of NPR’s radio program All Things Considered and its associated podcast Consider This. In Och and Oy!, which premiered in 2019, Shapiro and Cumming intersperse classic songs with stories from their rollicking lives — and from their first moment on stage, they hold nothing back.

“I always say that cabaret is like a smorgasbord,” said Cumming. “You can turn on a sixpence. [It’s about] shocking you with the extremes of what might happen. I think we certainly live up to that.” Cumming should know: his name has been inextricably linked with the art form since he won a Tony Award for his performance as the louche emcee of a Weimar-era nightclub in the 1998 Broadway revival of Cabaret the musical.

In the same interview, Ari Shapiro explained what makes Och and Oy! a “considered cabaret.” “The concept that we started with for the show was that it would have the kind of deep, thoughtful, probing conversations that you might get from NPR,” he said, “along with the slightly bawdy, entertaining song and dance numbers that you would expect from an Alan Cumming show, and these would combine to create something delightful and original.” 

Delightful, original, and considered — but not too considered. “I think when people see that I’m coming to [do] a show, they’re like, ‘Oh, God! I don’t want to go to a concert hall and hear about the news,’” said Shapiro. “I feel like I have to explicitly say, ‘this is a news-free zone.’”

Alan Cumming and Ari Shapiro. Photo courtesy of Brampton On Stage.

If there’s an overarching theme to the evening, it’s “about being queer men,” said Cumming. “We’re an odd couple [onstage], and the show is about how much more we have in common than you might think. One of the things we have in common is our queerness, and being men of a certain age, and just how we manoeuvre our relationships and our desires in our lives. It’s refreshing, and slightly subversive, for two older [queer] men — ”

“I beg your pardon?” joked Shapiro.

“One!” replied Cumming. “No, [but for] two older men to be talking about that in a public way.”

Cumming and Shapiro have no shortage of stories to share: Each man is a multihyphenate in his own right. Both are authors of bestselling memoirs. Shapiro hosted the seventh season of reality TV show The Mole in 2024, while Cumming has won critical acclaim — and two Emmys — for his camptastic turn hosting The Traitors US. Outside of Och and Oy!, Shapiro regularly appears onstage as a guest singer with the band Pink Martini, while Cumming co-owns a permanent cabaret space in New York’s East Village, cheekily named Club Cumming. A proud Scotsman, he became the artistic director of Pitlochry Festival Theatre in Highland Perthshire this past January.

“Being able to use different muscle groups, different creative skills, different parts of my brain, keeps me nimble and challenged and stimulated,” said Shapiro. “I think that’s one of the reasons Alan and I get along so well: if we’re not being challenged, and we’re not a little bit afraid, then we get restless.”

Shapiro met Cumming in 2014 through a mutual friend, who took the journalist to the actor’s dressing room — “the original Club Cumming,” said Shapiro — during a remount of Cabaret at Studio 54. (The dressing room’s history has since been immortalized with a neon sign outside its window.)

“We started doing events together onstage,” Shapiro said. “We did [an onstage interview] for the 50th anniversary of the Stonewall Riots at a museum in Washington, DC. As we were walking off stage, Alan turned to me and said, ‘We have such a good rapport. We should make a show together.’ I said, ‘Don’t joke about that, because I will absolutely take you up on it.’” 

Cumming, for his part, said his experience of being interviewed by Shapiro was what inspired him to make the offer. “Ari actually challenges and says, ‘Well, what do you mean by that?’” said Cumming. “I really love a conversation where it’s not just fluff. He’s engaged in a way that I like to be engaged, and we [make] a good kind of oddball combo.”

That combo is actually a trio: both artists stressed how much Och and Oy! depends on their third collaborator, musical director Henry Koperski. “[He’s] sweetness and light and joy and beauty and talent,” praised Shapiro. “Being able to go on adventures with Alan and Henry is one of the best parts of doing this show.”

This current adventure will take the collaborators to New Brunswick and Nova Scotia in addition to Ontario. “I’m so excited to go to bits of Canada that I’ve never been to,” said Cumming. “To go to Nova Scotia, and also to go to Fredericton.” 

“I’m most excited about going to Nova Scotia,” said Cumming, “because it is, of course, the New Scotland. I have a primal connection to it.”


Och and Oy! A Considered Cabaret plays at The Rose on March 21, 2025. Tickets are available here


Nathaniel Hanula-James
WRITTEN BY

Nathaniel Hanula-James

Nathaniel Hanula-James is a multidisciplinary theatre artist who has worked across Canada as a dramaturg, playwright, performer, and administrator.

LEARN MORE

Comments

Leave a Comment

Your email address will not be published. Required fields are marked *


iPhoto caption: Portrait of Eric Woolfe. Photo by Dahlia Katz.

Eric Woolfe’s inventive horror theatre is a monster mash of artistic influences

For the past 26 years, Eldritch Theatre’s director of the uncanny has given ghoulies, ghosties, and long-legged beasties of all kinds a spot in the limelight, in productions that serve up puppets, magic, and a crumbling castle’s-worth of uncanny influences, including schlock-horror B-movies, Shakespeare at his bloodiest, and the fiction of H.P. Lovecraft. 

By Nathaniel Hanula-James
iPhoto caption: Nate Yaffe in 'Rot Hat.' Photo by Kinga Michalska.

This year’s SummerWorks Performance Festival strives to make accessibility intrinsic

The curated festival’s 36th edition features a range of works by Disabled and neurodivergent artists where the medium is very much the message.

By Nathaniel Hanula-James
iPhoto caption: Laura Del Papa, Hilary Scott, and Lara Lucia in 'Brontë: The World Without.' Photo by Raph Nogal.

GFT’s Brontë: The World Without is a window into the ordinary lives of literary icons

Directed by Helen Juvonen in Guild Park and Gardens’ Greek Amphitheatre, The World Without follows sisters Emily, Charlotte, and Anne Brontë — the authors of Wuthering Heights, Jane Eyre, and The Tenant of Wildfell Hall, respectively.

By Nathaniel Hanula-James
Photos of Shalon T. Webber-Heffernan, James Knott, and Paul Couillard iPhoto caption: Photos of Shalon T. Webber-Heffernan, Paul Couillard, and James Knott courtesy of 7a*11d.

The organizers of the 7a*11d festival want you to know that performance art is still ‘punk as hell’

"There’s something about being live, with a sweaty, stinking, gross, dirty body, that’s just — you’re in it," says collective member Shalon T. Webber-Heffernan. "There’s some kind of alchemy going on that’s addictive to me. I think 7a*11d is sort of the dealer, if you will! It’s keeping us all hooked onto this weird obsession."

By Nathaniel Hanula-James
iPhoto caption: Peter Wylde for Intermission Magazine. Photo by Dahlia Katz.

In memory of Peter Wylde, the time-travelling acting teacher

What follows is an edited and condensed collage, loosely organized by theme, that only scratches the surface of Wylde’s life and impact.

Written by Nathaniel Hanula-James, Photography by Dahlia Katz
iPhoto caption: Dance Macabre cast. In photo: Keira Marie Forde (front). Back: [L to R] Uche Ama, King Cosmos, Theresa Gomes and Thomas Fournier. Photo by Tiku Romello Fisher (TRF Media).

At the 2026 Toronto Fringe, Caribbean artists stage collisions of identity, power, and desire

In separate video conversations, the lead artists behind Danse Macabre, Ex-Change of Words, and Momme Domme spoke about approaching themes of Blackness, diaspora, power, and desire.

By Nathaniel Hanula-James