6-KELLY_CLIPPERTON-by JenniferRowsom3
Image of playwright and performer, Kelly Clipperton.
Krystal Abrigo
Krystal is Intermission's Publishing and Editorial Assistant. A Scarborough-based writer of Philippine and Egyptian descent, she graduated cum laude with an Honours BA in Professional Writing from York University, specializing in Book Publishing and Corporate/Organizational Communication. She enjoys reading bell hooks, Audre Lorde, and James Baldwin. At any given moment, you can probably find her at a concert or on a long walk somewhere in Toronto.
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iPhoto caption: Jaime Lujan in 'Reina.' Photo by Eden Graham.
REVIEW: Documenting seven Toronto indie shows, from Factory Theatre to the Tranzac Club and beyond
I’ve started writing brief reviews of Toronto productions Intermission isn’t otherwise covering, and stowing them away until I collect enough to publish in a batch. And now here I am, with seven.
iPhoto caption: 'The Hound of the Baskervilles 'rehearsal photo courtesy of Lighthouse Festival.
Three actors juggle 17 roles in Lighthouse Festival’s The Hound of the Baskervilles
“[I’ll] be taking off a full tweed suit and putting on a Victorian dress,” says actor Andrew Scanlon. “There will be a lot of coordination that needs to go on.”
iPhoto caption: 'Queen of the Night' promo photo courtesy of Luminato Festival.
REVIEW: Two site-specific Luminato concerts explore the significance of daily ritual
Grounded in a heightened sense of time and place, both Dawn Chorus and Queen of the Night Communion express curiosity about how art can disrupt patterns of living.
iPhoto caption: Justin Collette in 'Beetlejuice.' 2022 photo by Matthew Murphy.
REVIEW: For a show about death, Beetlejuice is impressively full of life
It's a thoroughly entertaining musical that even improves on the original film, adding a far more cohesive storyline, clearer character motivations, and an updated sense of humour.
iPhoto caption: Photo by Hans Ravn.
The Bentway’s Sand Flight asks how we might navigate a world remade by climate collapse
“We’re not only conveying dystopia,” says co-creator Jonas Corell Petersen. “Yes, we die. Yes, we dry out. But that makes way for something new, and the dancers carry hopefulness in their movement.”
iPhoto caption: Andrew Penner and Deborah Hay in 'After the Rain.' Photo by Dahlia Katz.
REVIEW: After the Rain transforms the Tarragon Mainspace into a passionate folk-rock concert
The performers of this world premiere musical got a lot of laughs from the buzzing opening night audience, but make no mistake, they got quite a few audible tears out of us, too.
iPhoto caption: Photo provided by Canadian Stage.
Canadian Stage marks 42 years of Shakespeare in High Park with Romeo & Juliet
This summer, Canadian Stage returns to the High Park Amphitheatre with a new staging of Romeo & Juliet, directed by Marie Farsi.
iPhoto caption: Photo by Hans Ravn.
A sand dune rises under the Gardiner for Sand Flight, a dance show premiering this June
This spring, the Bentway will present the world premiere of Sand Flight, a large-scale outdoor performance by Norwegian choreographer Ingri Fiksdal and theatre director Jonas Corell Petersen. The production features eight dancers and a 50-person community choir performing atop a constructed sand dune.
iPhoto caption: Louise Lambert in People, Places & Things. Photo by Elana Emer.
TAPA reveals 2025 Dora Award nominees
This morning, the Toronto Alliance for the Performing Arts (TAPA) announced the nominees for the 45th annual Dora Awards, which will be given out at Meridian Hall on June 30.
iPhoto caption: Zorana Sadiq and Noah Grittani in Comfort Food. Photo by Dahlia Katz.
REVIEW: World premiere of Comfort Food is anything but comfortable — and that’s why it works
In an era of endless broadcasts, Comfort Food questions what it means to truly connect. The show skewers the spectacle-hungry media machine, but also explores how adults contort themselves for approval, how networks co-opt authenticity, and how algorithms radicalize kids in real time.
iPhoto caption: Photo of Legally Blonde cast, taken after rehearsals.
Theatre Calgary announces full cast and creative team of Legally Blonde
Theatre Calgary has revealed casting for its spring production of Legally Blonde, running from May 20 to June 15 at the Max Bell Theatre.
iPhoto caption: The cast of Flex. Photo by Elana Emer.
REVIEW: Flex delivers a stirring portrait of ambition, girlhood, and loyalty
The train is only as strong as its weakest link — and in Flex, every player on and offstage pulls with heart, grit, wit, and charm.
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