Skip to main content

Soulpepper shines a light on women playwrights with Her Words Festival

int(100715)
Weyni Mengesha stands in front of the Young Centre for the Performing Arts iPhoto caption: Photo of Weyni Mengesha by Mikka Gia. Photo of Young Centre for the Performing Arts by Tom Arban.
/By / Oct 5, 2023
SHARE

When Weyni Mengesha and her team at Soulpepper Theatre discovered that just 31 per cent of Canadian stage productions were written by women (and just 0.5 per cent by trans and non-binary artists) in the 2018-2019 theatre season, they knew they had to help make a change.

And so, Her Words was born — a festival dedicated to celebrating and showcasing new plays, discussions, workshops, and concerts from women artists from across Canada.

The festival’s inaugural year was in 2021, and this year’s iteration is set to begin in Toronto on October 5. 

“We were recognizing that this was a major gap on a national level,” said Mengesha, Soulpepper’s artistic director. “As a larger institution, I always think, ‘What are we doing with our resources? What are we doing to help build equity in the ecology and ultimately build a really exciting landscape that is full of rich POVs?’”

The festival, running until November 26, “has everybody represented,” Mengesha said. It will feature three full productions: playwright Kat Sandler’s WILDWOMAN, a narrative based on the historical context of the source material for Beauty and the Beast; The Guide to Being Fabulous by Sandra Caldwell, a musical retelling of the writer’s life story; and Sympathy for the Devil, a concert with stories that look at superstition and the notion of the dark side, written by Raha Javanfar.

It will also include workshops of Welcome To My Home, Falen Johnson’s piece about Shirley Horn, an Indigenous elder who became the chancellor of Ontario’s Algoma University years after attending the residential school that once operated there; and Table For Two — a comedy about the Toronto dating scene from established actor and new writer Akosua Amo-Adem.

An event called Fresh Ink will meanwhile feature 10-minute excerpts of brand new works from emerging writers. There will also be a series of talks on everything from women writing for television to women creating original music. And an intensive for women creators, called The Bootcamp, will give participants the chance to learn about directing, designing, writing and more.

“There’s a lot to see, a lot to learn, and a lot to inspire and excite both creators and audiences,” Mengesha said.

In 2020, before the creation of Her Words, Soulpepper commissioned a program called Six Women Writing. The idea, Mengesha explained, was that if men were writing three times more than women, why not commission double the number of women to be in residence at the theatre, with all the resources and guidance and time they might need? Soulpepper commissioned an assembly of Canada’s top voices for the program: Sandler, Caldwell, Johnson, Trey Anthony, Hannah Moscovitch, and Erin Shields. 

“The thing I love the most is that the six women keep expressing that they’ve never been in residence with so many of their colleagues,” Mengesha said. “They never get to be in the same rooms together. They’ve been seeing each other’s works, coming to each other’s workshops, giving each other feedback, and championing each other.”

Alongside the Six Women Writing program, Soulpepper also has five musicians in residence. The festival is a chance for all of these artists, writers and musicians included, to present what they’ve been working on once they’re ready.

“It allows people to continue to dream, imagine, and not feel limited,” Mengesha said. “Women come and see the ability of their colleagues to imagine at that scale and they think, ‘Maybe I should write that play that I’ve been dreaming about.’”

It’s also an opportunity for theatre lovers to see new and exciting works, engage with creators, and participate if they so choose (there will be an event where folks can put their name in a hat for a chance to get up and read their own work).

As the effects of the pandemic linger, Mengesha hopes the festival will provide a space for community gathering — an opportunity to come together over a shared love of theatre and uplifting women artists. 

“There’s something for everyone,” Mengesha said. “The work on stage is irreverent, it’s uplifting, it’s hilarious, it’s quite moving — it’s going to have everything on stage, including you.”


Her Words runs at Soulpepper Theatre until November 26. You can learn more about the festival here.

Mira Miller
WRITTEN BY

Mira Miller

Mira is an arts, lifestyle, and health freelance writer based in Toronto. She covers intersectional feminism, issues affecting the 2SLGBTQ+ community, theatre, body image, and more. In her spare time, you can find her listening to the soundtrack of a musical, watching Broad City, or dreaming about her next meal.

LEARN MORE

Comments

Leave a Comment

Your email address will not be published. Required fields are marked *


/
iPhoto caption: Images courtesy of Canadian Stage.

At Canadian Stage’s 41st annual Dream in High Park, everyone is Hamlet

“There's something really democratic about outdoor theatre,” says Canadian Stage artistic director Brendan Healy. “Indoor theatre spaces are awesome, but they can sometimes be intimidating and limited. For many people, Dream in High Park is their one trip to the theatre that they do every year. For many young people, it’s their first experience of theatre.”

By Nathaniel Hanula-James
theresa cutknife iPhoto caption: Theresa Cutknife headshot by Dahlia Katz.

Speaking in Draft: Theresa Cutknife

“Of course, we all have to make money and make different sacrifices just to pay the bills, because this city is so horribly overpriced,” says Cutknife. “But why? Why do we have to suffer to feel like we’ve paid our dues to the industry?”

By Nathaniel Hanula-James
guild festival theatre iPhoto caption: Photo courtesy of Guild Festival Theatre.

A beloved trio returns to Scarborough’s Guild Park in Three Men on a Bike

“What have I personally got to do with these guys?” asks director Sue Miner. “Nothing, and yet I love them and I love their journey. They just touch people to come along for the ride. That’s part of the draw for me. They [screw up] for us so we don’t have to. We can just sit and enjoy and laugh at their foibles. Anything that brings us all back to humanity is my hero right now.”

By Nathaniel Hanula-James

Inside three mouth-watering shows at Toronto Fringe 2024

Intermission sat down with the creative masterminds behind three highly anticipated Fringe shows to get the inside scoop on what goes into creating a smash hit.

By Mira Miller
mary's wedding iPhoto caption: Derek Ritschel, director of Mary's Wedding and artistic director of Lighthouse Festival Theatre.

Mary’s Wedding promises to pack an emotional punch at Lighthouse Festival Theatre

“I liken it more to poetry than I do to your standard text of a play,” says Derek Ritschel, the director of Mary’s Wedding and the artistic director of Lighthouse Festival.

By Nathaniel Hanula-James
balancing act iPhoto caption: The Balancing Act team. Photo by Zeeshan Safdar.

Balancing Act creates options for caregivers in Canadian theatre

“The policies that we're creating, while they're centring mothers, parents, artists who are caregivers, they actually help everyone in the industry,” says founder and executive director Lisa Marie DiLberto. “You don't know when you're going to need these kinds of supports, because everyone's going to be a caregiver or need care at some point.”

By Kaitlyn Riordan