Skip to main content

TAPA appoints Annemieke Wade as new executive director

annemieke wade iPhoto caption: Photo of Annemieke Wade courtesy of TAPA.
/By / Nov 5, 2024
SHARE

The Toronto Alliance for Performing Arts (TAPA) has appointed Annemieke Wade as its next executive director.

Wade steps into the position with an extensive background in theatre, with past roles including executive director of Roseneath Theatre and Theatre Direct and company manager of Tarragon Theatre. Her passions as an arts leader include increasing accessibility to the arts and promoting diverse voices both on and off the stage.

“Annemieke’s dedication to the arts and her extensive experience make her a good match for TAPA,” said outgoing executive director Jacoba Knaapen in a press release. “She will be an invaluable addition to the team and a strong advocate for our community.”

“I’m honoured to be trusted with this immense responsibility, and I know that I am standing today on the shoulders of giants who have advocated so fiercely for the performing arts and are every part of the TAPA story and legacy,” said Wade. “I made my home in Toronto many years ago and found a warm and welcoming community that embraced and nurtured me, and I am exhilarated to follow in [Knaapen’s] footsteps serving the artists of the city that has offered me more than I could have imagined was possible.”

Wade will officially step into the role on January 6, 2025.

TAPA represents 119 professional theatre, dance, and opera companies in Toronto. The coalition’s major initiatives include the hipTIX discount ticketing system and the annual Dora Mavor Moore Awards for excellence in live performance in Toronto. You can learn more about TAPA here.

Aisling Murphy
WRITTEN BY

Aisling Murphy

Aisling is Intermission's former senior editor and the theatre reporter for the Globe and Mail. She likes British playwright Sarah Kane, most songs by Taylor Swift, and her cats, Fig and June. She was a 2024 fellow at the National Critics Institute in Waterford, CT.

LEARN MORE

Comments

Leave a Comment

Your email address will not be published. Required fields are marked *


A snowy Yukon landscape. iPhoto caption: Photo by Aisling Murphy.

In the darkest months of Yukon winter, it’s all about the Sun Room

I’m here for a week in January as a guest of Nakai Theatre, a hub for theatrical experimentation and outside-the-box programming in Canada’s westernmost territory.

By Aisling Murphy

Armchairs, tattoos, and an online theatre magazine

When I started at Intermission, my world was limited to the confines of an armchair. Arts journalism was a high it felt dangerously fruitless to chase. The life stretched ahead of me was amorphous and frightening, a chasm filled with hand sanitizer and immigration concerns. It was worth crying over a spilled kombucha and scrubbing at the stain.

By Aisling Murphy
wights iPhoto caption: Liz Appel headshot courtesy of Liz Appel.

Five questions with Wights playwright Liz Appel

Intermission spoke with Appel over email for a brief Q&A about Wights, now playing at Crow’s Theatre until February 9.

By Aisling Murphy

Call for applications: Publishing and editorial assistant

Intermission Magazine is seeking a dynamic and collaborative individual to join our team.

musical theatre critics lab iPhoto caption: What Writing Can Do: The 2025 Musical Theatre Critics Lab

Announcing What Writing Can Do: The 2025 Musical Theatre Critics Lab

What Writing Can Do is timed to coincide with the Grand and Theatre Aquarius’ co-production of Waitress, which will serve as a jumping-off point for discussions throughout the Lab.

a christmas story iPhoto caption: A Christmas Story production still by Dahlia Katz.

REVIEW: A Christmas Story feels fresh at Theatre Aquarius

If you want to catch A Christmas Story before it closes, good luck — the show is close to sold out, and with the talent on that stage, it’s not hard to see why.

By Aisling Murphy