As You Like It: A Radical Retelling Arrives at Ottawa’s Great Canadian Theatre Company
iPhoto caption: Photo by Dahlia Katz
Cliff Cardinal‘s new realization of William Shakespeare’s As You Like It is on its way to the Great Canadian Theatre Company.
Armed with cutting humour, Cardinal’s take on the Bard’s classic brings renewed energy to this twisting comedy about the trials of love and mistaken identity. Cardinal’s unpredictability is in full force in this new adaptation — you’ve never seen Shakespeare quite like this.
Named by The Globe and Mail as a Canadian Cultural Icon in 2022, Cliff Cardinal is a cultural provocateur, playwright, and performer who delights in difficult subject matter, raw emotions, and topical comedy. Born on the Pine Ridge Indian Reservation, Cliff studied playwriting at the National Theatre School of Canada and is an associate artist at VideoCabaret in Toronto, where he develops his new work.
With this subversive update to the Bard’s classic, Cliff Cardinal, creator of Huff, Stitch, and CBC Special, aims to surprise and provoke. See for yourself why Cardinal has been described as “one of the most talented and intriguing writers in the country” (Glenn Sumi, NOW Magazine).
Cast will be announced at each performance.
As You Like It: A Radical Retelling (A Crow’s Production) opens at GCTC on January 19. Tickets are available here. Limited Pick-Your-Price tickets ($15/$25/$35) are available.
ABOUT GCTC
GCTC is celebrating its 48th Season in 2022-23. We continue to foster, produce and promote excellent theatre that provokes examination of Canadian life and our place in the world. GCTC aims to increase the diversity on its stages, in its creative teams, make its work inclusive for more audiences and deepen their experience. GCTC also continues to embrace artistic risk and to ensure a wide range of theatrical experiences.
Aisling Murphy
Aisling is Intermission's former senior editor and the theatre reporter for the Globe and Mail. She likes British playwright Sarah Kane, most songs by Taylor Swift, and her cats, Fig and June. She was a 2024 fellow at the National Critics Institute in Waterford, CT.
LEARN MORE
iPhoto caption: A stock image of Lighthouse Festival Theatre in Port Dover.
Lighthouse Festival unveils casting for 2025 summer season
The Lighthouse Festival has announced casting details for its 2025 summer season. A mix of returning favourites and new faces will appear in five productions across its two venues in Port Dover and Port Colborne.
iPhoto caption: The 'Octet' company. Photos by Dahlia Katz.
Crow’s Theatre announces packed 2025-26 season, including major partnership with Soulpepper
Next season, Crow’s Theatre will stage work by Michael Healey, Dave Malloy, Eboni Booth, Erin Shields, and Tennessee Williams, among others. The company is also launching a three-year partnership with Soulpepper Theatre, which will involve four large-scale 2025-26 co-productions.
iPhoto caption: Photo courtesy of Canadian Stage.
Canadian Stage reveals 2025-26 programming
World premieres from local playwrights Erin Shields and Kanika Ambrose feature in Canadian Stage’s 2025-26 season, announced this morning. The lineup also includes a Robert Lepage remount and a pair of Tony Award-nominated dramas.
iPhoto caption: Production image of The Livrarian. Photo by Anita Murphy.
Inaugural Bealtaine Theatre Festival brings contemporary Irish theatre to Toronto
Toronto audiences will experience a diverse selection of Irish theatre, music, and storytelling as the Bealtaine Theatre Festival debuts from April 25 to May 25.
iPhoto caption: Farren Timoteo in Made in Italy. Photo by Trudie Lee.
Theatre Calgary announces 2025–26 season
The 2025-26 season at Theatre Calgary features six productions, including a world premiere musical, a contemporary Canadian classic, and the return of a sold-out comedy.
iPhoto caption: Photo by Andree Lanthier.
GCTC to close out season with Rachel Mutombo’s Vierge
Co-produced by Montreal’s Black Theatre Workshop and directed by Dian Marie Bridge, Vierge will run from March 18 to 30 at the Irving Greenberg Theatre Centre in Ottawa.
iPhoto caption: Photo by Aisling Murphy.
In the darkest months of Yukon winter, it’s all about the Sun Room
I’m here for a week in January as a guest of Nakai Theatre, a hub for theatrical experimentation and outside-the-box programming in Canada’s westernmost territory.
Armchairs, tattoos, and an online theatre magazine
When I started at Intermission, my world was limited to the confines of an armchair. Arts journalism was a high it felt dangerously fruitless to chase. The life stretched ahead of me was amorphous and frightening, a chasm filled with hand sanitizer and immigration concerns. It was worth crying over a spilled kombucha and scrubbing at the stain.
iPhoto caption: Liz Appel headshot courtesy of Liz Appel.
Five questions with Wights playwright Liz Appel
Intermission spoke with Appel over email for a brief Q&A about Wights, now playing at Crow’s Theatre until February 9.
Call for applications: Publishing and editorial assistant
Intermission Magazine is seeking a dynamic and collaborative individual to join our team.
iPhoto caption: What Writing Can Do: The 2025 Musical Theatre Critics Lab
Announcing What Writing Can Do: The 2025 Musical Theatre Critics Lab
What Writing Can Do is timed to coincide with the Grand and Theatre Aquarius’ co-production of Waitress, which will serve as a jumping-off point for discussions throughout the Lab.
iPhoto caption: A Christmas Story production still by Dahlia Katz.
REVIEW: A Christmas Story feels fresh at Theatre Aquarius
If you want to catch A Christmas Story before it closes, good luck — the show is close to sold out, and with the talent on that stage, it’s not hard to see why.
Comments