Call for Applications: Publishing and Editorial Assistant, Intermission Magazine
Intermission is an online magazine covering theatre and other performing arts in Toronto, the Greater Toronto Area, and select other Canadian locations. The Company Theatre launched the magazine in 2017 to address the decline in performing arts coverage by legacy media such as newspapers and radio. Our content includes feature articles about productions and artists, news stories, interviews with theatre artists (including our signature Spotlight series, a deep-dive interview with custom photography by Dahlia Katz), first-person Artist Perspectives, and reviews.
In the summer of 2023 The Company Theatre passed Intermission on to new leadership, and it is now a freestanding not-for-profit organization. The Intermission team is publisher Suzanne Cheriton, senior editor Aisling Murphy, digital manager Janice Peters Gibson, and editorial advisor Karen Fricker.
Intermission works with a partnership business model in which theatres pay for advertisements, and the magazine runs articles about the theatre and its work that are not editorially vetted by the theatre (this model is similar to what the Toronto Star and Guardian [UK] call “supported content”). Our reviews are separately funded and independent of partner content.
Many of Toronto’s leading theatres, including Canadian Stage, Tarragon, Soulpepper, and Factory Theatre are Intermission partners, and coverage is growing in geographical scope, with the Stratford Festival and companies in Ottawa and Calgary joining as partners in 2022-23.
We are seeking a dynamic and collaborative individual to join our team.
PUBLISHING AND EDITORIAL ASSISTANT DUTIES
The assistant will:
- Support and coordinate partnership relationships, as the key point of contact with partners around deliverables including images and ads
- Monitor and keep up internal documentation around partnership deliverables
- Draft occasional marketing copy and graphics
- Coordinate weekly newsletter content
- Write news articles
- Edit Artist Perspective articles
- Write social media copy and create social media graphics
There is potential for more extensive writing assignments as the job develops.
QUALIFICATIONS
The ideal candidate will:
- Have studied or practiced writing about performing arts in post-secondary or professional contexts
- Have some journalism and/or publishing experience
- Be familiar with CP Style
- Be knowledgeable about the Toronto theatre scene
- Have experience drafting social media copy
- Have basic graphic design skills (advanced graphic design skills a plus)
- Have a demonstrated commitment to anti-racism, decolonization, and inclusion
- Be based in the Greater Toronto Area
- Interest in and experience with social media strategy will be a plus
- Experience with WordPress, HootSuite, and/or Canva will be a plus
- Experience with Google workspace (Sheets, documents, etc)
- Ability to self direct, manage multiple project files, and shifting priorities
TERMS OF EMPLOYMENT
This position pays $1000/month for an estimated 14 hours per week of work. Other than bi-monthly online team meetings, the work is independent and the assistant can set their own hours. The position will require some evening and weekend work. The position will have a start date of October 16, 2023, or earlier if the successful candidate is available.
APPLICATION PROCESS
Please send your CV, a cover letter addressing your interest in the position and addressing the desired qualifications, along with two unedited writing samples and (if available) graphic design samples to info@intermissionmagazine.ca with the subject line “Application: Publishing and editorial assistant” by 5 pm Eastern Daylight Time, Friday, September 22, 2023. Please send any questions about the position to that email address.
Aisling Murphy
Aisling is Intermission's senior editor and an award-winning arts journalist with bylines including the New York Times, Toronto Star, Globe & Mail, CBC Arts, and Maclean's. She likes British playwright Sarah Kane, most songs by Taylor Swift, and her cats, Fig and June. She was a 2024 fellow at the National Critics Institute in Waterford, CT.
LEARN MORE
iPhoto caption: Courtesy of the St. Michael's College Troubadours.
A Lord of the Flies adaptation hits the Hart House Theatre stage this weekend
Andrea Perez is set to direct the student-led production, which will reimagine the story through a de-colonialist lens.
iPhoto caption: Photo of Annemieke Wade courtesy of TAPA.
TAPA appoints Annemieke Wade as new executive director
Wade steps into the position with an extensive background in theatre, with past roles including executive director of Roseneath Theatre and Theatre Direct and company manager of Tarragon Theatre.
iPhoto caption: Beowulf in Afghanistan graphic courtesy of GCTC.
Beowulf in Afghanistan to make world premiere at GCTC
As part of its 50th anniversary season, Ottawa’s Great Canadian Theatre Company will program the world premiere of Laurie Fyffe’s Beowulf in Afghanistan, in a production directed by Company of Fools artistic director Kate Smith.
iPhoto caption: Photo courtesy of The Hive
Brampton On Stage partners with local companies to present contrasting pair of fall productions
Brampton Music Theatre is head-banging to the stage with a community theatre production of We Will Rock You, while The Hive Performing Arts is staging Duncan MacMillan and Jonny Donahoe’s Every Brilliant Thing.
iPhoto caption: Poster courtesy of CBC Podcasts
PlayME releases trailer for new audio drama Tunnel Runners
Launching on October 30, the series follows Cam, a 16-year-old gifted student whose struggles with anxiety and depression lead him into a labyrinth of hidden subway tunnels beneath Toronto.
iPhoto caption: Prude production photo by Daniel Wittnebel
Toronto Fringe unveils 2024 Next Stage programming
The Toronto Fringe has announced the lineup for the 17th annual Next Stage Theatre Festival, running at Buddies in Bad Times Theatre from October 16 to 27.
iPhoto caption: Madame Minister production still by Dahlia Katz.
REVIEW: Madame Minister is a star vehicle for actor Laura Condlln
Laura Condlln and Cyrus Lane offer performances that are worth the drive to Barrie — the two have terrific chemistry and timing.
iPhoto caption: Production still courtesy of The Bee's Knees.
REVIEW: The Bee’s Knees falls short of its timely premise
The Bee’s Knees might evolve into a stronger project down the line, but at present, the play and production feel swept away by the spangled allure of the 1920s setting.
iPhoto caption: J. Kelly Nestruck headshot courtesy of The Globe and Mail.
An exit interview with Globe and Mail theatre critic J. Kelly Nestruck
J. Kelly Nestruck has left the building. (Or at least the aisle seat.)
iPhoto caption: Photo of Annemieke Wade courtesy of TAPA.
TAPA appoints Annemieke Wade as new executive director
Wade steps into the position with an extensive background in theatre, with past roles including executive director of Roseneath Theatre and Theatre Direct and company manager of Tarragon Theatre.
iPhoto caption: Beowulf in Afghanistan graphic courtesy of GCTC.
Beowulf in Afghanistan to make world premiere at GCTC
As part of its 50th anniversary season, Ottawa’s Great Canadian Theatre Company will program the world premiere of Laurie Fyffe’s Beowulf in Afghanistan, in a production directed by Company of Fools artistic director Kate Smith.
iPhoto caption: My Name Is Lucy Barton production still by Dahlia Katz.
REVIEW: Maev Beaty sparkles at the centre of a sparse My Name Is Lucy Barton
In Rona Munro’s adaptation, My Name Is Lucy Barton loses some bite; it’s debatable how well the idea works as a piece of theatre. That said, Beaty gleams in a rousing solo performance that showcases her range and emotional depth.
Comments