Call for Applications: Publishing and Editorial Assistant, Intermission Magazine
Intermission is an online magazine covering theatre and other performing arts in Toronto, the Greater Toronto Area, and select other Canadian locations. The Company Theatre launched the magazine in 2017 to address the decline in performing arts coverage by legacy media such as newspapers and radio. Our content includes feature articles about productions and artists, news stories, interviews with theatre artists (including our signature Spotlight series, a deep-dive interview with custom photography by Dahlia Katz), first-person Artist Perspectives, and reviews.
In the summer of 2023 The Company Theatre passed Intermission on to new leadership, and it is now a freestanding not-for-profit organization. The Intermission team is publisher Suzanne Cheriton, senior editor Aisling Murphy, digital manager Janice Peters Gibson, and editorial advisor Karen Fricker.
Intermission works with a partnership business model in which theatres pay for advertisements, and the magazine runs articles about the theatre and its work that are not editorially vetted by the theatre (this model is similar to what the Toronto Star and Guardian [UK] call “supported content”). Our reviews are separately funded and independent of partner content.
Many of Toronto’s leading theatres, including Canadian Stage, Tarragon, Soulpepper, and Factory Theatre are Intermission partners, and coverage is growing in geographical scope, with the Stratford Festival and companies in Ottawa and Calgary joining as partners in 2022-23.
We are seeking a dynamic and collaborative individual to join our team.
PUBLISHING AND EDITORIAL ASSISTANT DUTIES
The assistant will:
- Support and coordinate partnership relationships, as the key point of contact with partners around deliverables including images and ads
- Monitor and keep up internal documentation around partnership deliverables
- Draft occasional marketing copy and graphics
- Coordinate weekly newsletter content
- Write news articles
- Edit Artist Perspective articles
- Write social media copy and create social media graphics
There is potential for more extensive writing assignments as the job develops.
QUALIFICATIONS
The ideal candidate will:
- Have studied or practiced writing about performing arts in post-secondary or professional contexts
- Have some journalism and/or publishing experience
- Be familiar with CP Style
- Be knowledgeable about the Toronto theatre scene
- Have experience drafting social media copy
- Have basic graphic design skills (advanced graphic design skills a plus)
- Have a demonstrated commitment to anti-racism, decolonization, and inclusion
- Be based in the Greater Toronto Area
- Interest in and experience with social media strategy will be a plus
- Experience with WordPress, HootSuite, and/or Canva will be a plus
- Experience with Google workspace (Sheets, documents, etc)
- Ability to self direct, manage multiple project files, and shifting priorities
TERMS OF EMPLOYMENT
This position pays $1000/month for an estimated 14 hours per week of work. Other than bi-monthly online team meetings, the work is independent and the assistant can set their own hours. The position will require some evening and weekend work. The position will have a start date of October 16, 2023, or earlier if the successful candidate is available.
APPLICATION PROCESS
Please send your CV, a cover letter addressing your interest in the position and addressing the desired qualifications, along with two unedited writing samples and (if available) graphic design samples to info@intermissionmagazine.ca with the subject line “Application: Publishing and editorial assistant” by 5 pm Eastern Daylight Time, Friday, September 22, 2023. Please send any questions about the position to that email address.
Aisling Murphy
Aisling is Intermission's former senior editor and the theatre reporter for the Globe and Mail. She likes British playwright Sarah Kane, most songs by Taylor Swift, and her cats, Fig and June. She was a 2024 fellow at the National Critics Institute in Waterford, CT.
LEARN MORE
iPhoto caption: Banner provided by Theatre Aquarius.
Theatre Aquarius’ NCNM selects three new musicals for 2025-26 development
“The Danish Guest, The Blue Castle, and My Beef with Beef each bring such distinct worlds to life — from Victorian London to early-1900s Muskoka to a modern kitchen haunted by a ghost cow," wrote artistic director Mary Francis Moore in a press release.
iPhoto caption: Mahabharata: Karma (Part 1), The Life We Inherit (Why Not Theatre presented by
Canadian Stage). Photo provided by TAPA.
TAPA unveils 2025 Dora Award winners
The Toronto Alliance for the Performing Arts (TAPA) announced the winners of the 2025 Dora Awards during a Monday evening ceremony hosted by Peter Fernandes, with 26 individual artists and companies receiving their first-ever Doras.
iPhoto caption: Logo by Sunyeong Han.
Let’s turn the page: Announcing a nationwide program for emerging performing arts critics
Do you like writing about the performing arts but wish you had more skills and contacts to help you advance in the field? Would you like to continue to build your writing and critical thinking skills? Are you IBPOC or from another equity-seeking background? There’s a new program for you.
iPhoto caption: The cast of Fat Fables. Photo by Roya DelSol.
SummerWorks Performance Festival announces 2025 lineup
Taking place from August 7 to 17, the 2025 festival features more than 35 projects and over 200 artists.
iPhoto caption: Photo provided by Canadian Stage.
Canadian Stage marks 42 years of Shakespeare in High Park with Romeo & Juliet
This summer, Canadian Stage returns to the High Park Amphitheatre with a new staging of Romeo & Juliet, directed by Marie Farsi.
iPhoto caption: Photo of Kay-Ann Ward, El Experimento, and Adam Francis-Proulx by Joy Adeola.
Toronto Fringe unveils full 2025 programming
Tickets are now on sale for the 37th annual Toronto Fringe Festival, showcasing over 100 shows in 22 spaces across the city.
iPhoto caption: Adam Francis Proulx, Elm Reyes, Kay-Ann Ward in a Fringe promo photo by Joy Adeola.
REVIEWS: Toronto Fringe Festival 2025
This collection of Toronto Fringe Festival capsule reviews will be updated throughout the festival with writing from 20 different critics.
iPhoto caption: Photo by Aisling Murphy.
In the darkest months of Yukon winter, it’s all about the Sun Room
I’m here for a week in January as a guest of Nakai Theatre, a hub for theatrical experimentation and outside-the-box programming in Canada’s westernmost territory.
Armchairs, tattoos, and an online theatre magazine
When I started at Intermission, my world was limited to the confines of an armchair. Arts journalism was a high it felt dangerously fruitless to chase. The life stretched ahead of me was amorphous and frightening, a chasm filled with hand sanitizer and immigration concerns. It was worth crying over a spilled kombucha and scrubbing at the stain.
iPhoto caption: Liz Appel headshot courtesy of Liz Appel.
Five questions with Wights playwright Liz Appel
Intermission spoke with Appel over email for a brief Q&A about Wights, now playing at Crow’s Theatre until February 9.
Call for applications: Publishing and editorial assistant
Intermission Magazine is seeking a dynamic and collaborative individual to join our team.
iPhoto caption: What Writing Can Do: The 2025 Musical Theatre Critics Lab
Announcing What Writing Can Do: The 2025 Musical Theatre Critics Lab
What Writing Can Do is timed to coincide with the Grand and Theatre Aquarius’ co-production of Waitress, which will serve as a jumping-off point for discussions throughout the Lab.
iPhoto caption: A Christmas Story production still by Dahlia Katz.
REVIEW: A Christmas Story feels fresh at Theatre Aquarius
If you want to catch A Christmas Story before it closes, good luck — the show is close to sold out, and with the talent on that stage, it’s not hard to see why.
Comments