Digital Production Reckoning Draws Prairie Theatre Exchange’s 50th Season to a Fiery Close
It is time for a reckoning, and it’s coming June 21st.
Winnipeg’s Prairie Theatre Exchange will soon premiere their digital production Reckoning, by Tara Beagan and Andy Moro, PTE collaborators and co-founders of the Indigenous Activist Arts group, ARTICLE 11. This production will also officially conclude PTE’s 50th anniversary season.
With its online premiere on National Indigenous Peoples Day on June 21st, Reckoning spotlights Indigenous and Canadian history and society through three unique and distinct lenses: it explores stories of colonization, residential schools, and the country’s attempts at truth and reconciliation. These vital topics are explored in the feature-length film through an expressive blend of movement, video, and text.
Described in press materials as an “incendiary theatrical presentation,” Reckoning’s digital format helps create a permanent record of Indigenous Peoples’ stories. This production, along with ARTICLE 11’s other digital work, highlights the “big questions” of adapting stage productions to digital formats by experimenting with theatre’s ephemerality.
“We all speak video fluently,” said ARTICLE 11’s co-founder Beagan in a press release. “[Reckoning] can be received with open hearts and minds.”
The COVID-19 pandemic pushed theatre companies to explore the world of digital theatre, and Reckoning is now ARTICLE 11’s second stage-to-screen adaptation. This initiative has allowed for important theatre and performance productions to be shared with wider audiences, something that PTE has explored previously as well.
ARTICLE 11’s productions tell stories that are “urgent, provocative, beautiful, and inspiring,” in the words of PTE artistic director, Thomas Morgan Jones, and Beagan and Moro are known for their intensity and passion in their work. Although the production’s content may be difficult to face, Reckoning shows audiences the importance of telling these stories, so intertwined with Canada’s existence, and how crucial it is to share everyone’s truth.
Reckoning runs digitally June 21–25, 2023. Tickets are available here.
Hélène Crowley
Hélène is a queer musician, editor, and writer in Toronto. She is currently an intern at Intermission. She holds a BMus from Wilfrid Laurier University and an MSt in Musicology from the University of Oxford. Currently, Hélène is actively involved in the Canadian publishing industry through volunteering, writing, and freelance editing. When she has free time, she loves to go for runs, play piano, crochet, and travel.
LEARN MORE
iPhoto caption: Banner provided by Theatre Aquarius.
Theatre Aquarius’ NCNM selects three new musicals for 2025-26 development
“The Danish Guest, The Blue Castle, and My Beef with Beef each bring such distinct worlds to life — from Victorian London to early-1900s Muskoka to a modern kitchen haunted by a ghost cow," wrote artistic director Mary Francis Moore in a press release.
iPhoto caption: Mahabharata: Karma (Part 1), The Life We Inherit (Why Not Theatre presented by
Canadian Stage). Photo provided by TAPA.
TAPA unveils 2025 Dora Award winners
The Toronto Alliance for the Performing Arts (TAPA) announced the winners of the 2025 Dora Awards during a Monday evening ceremony hosted by Peter Fernandes, with 26 individual artists and companies receiving their first-ever Doras.
iPhoto caption: Logo by Sunyeong Han.
Let’s turn the page: Announcing a nationwide program for emerging performing arts critics
Do you like writing about the performing arts but wish you had more skills and contacts to help you advance in the field? Would you like to continue to build your writing and critical thinking skills? Are you IBPOC or from another equity-seeking background? There’s a new program for you.
iPhoto caption: The cast of Fat Fables. Photo by Roya DelSol.
SummerWorks Performance Festival announces 2025 lineup
Taking place from August 7 to 17, the 2025 festival features more than 35 projects and over 200 artists.
iPhoto caption: Photo provided by Canadian Stage.
Canadian Stage marks 42 years of Shakespeare in High Park with Romeo & Juliet
This summer, Canadian Stage returns to the High Park Amphitheatre with a new staging of Romeo & Juliet, directed by Marie Farsi.
iPhoto caption: Photo of Kay-Ann Ward, El Experimento, and Adam Francis-Proulx by Joy Adeola.
Toronto Fringe unveils full 2025 programming
Tickets are now on sale for the 37th annual Toronto Fringe Festival, showcasing over 100 shows in 22 spaces across the city.
Announcing the 2023 Dora Mavor Moore Award Winners
A fantastic night of celebration! Congratulations to all the 2023 Dora Mavor Moore Awards winners and nominees!
Looking In to Reach Out: In Conversation with Sergio Blanco
Sergio Blanco brings reality and fiction into one with The Rage of Narcissus, combining self-reflection, queerness, and murder.
iPhoto caption: Jessi Elgood plays Krista in The Assembly Theatre's Bone Cage. Photo by Alex Balant.
REVIEW: Bone Cage at The Assembly Theatre/One Four One Collective
Bone Cage is a remarkably impressive production in a limited space — just don’t go in expecting any sense of joy.
Announcing Tarragon Theatre’s 2023-2024 Season
“We are thrilled to welcome audiences to a season brimming with new pieces that will entice curiosity, inspire, challenge, move and look deeper into ourselves and each other in beautiful and unexpected ways.”
Comments