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/By / Mar 7, 2024
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Hélène Crowley
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Hélène Crowley

Hélène is a queer musician, editor, and writer in Toronto. She is currently an intern at Intermission. She holds a BMus from Wilfrid Laurier University and an MSt in Musicology from the University of Oxford. Currently, Hélène is actively involved in the Canadian publishing industry through volunteering, writing, and freelance editing. When she has free time, she loves to go for runs, play piano, crochet, and travel.

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Production photo of House + Body's Measure for Measure at Crow's Theatre. iPhoto caption: Photo by Kendra Epik.
Reviews

REVIEW: House + Body’s Measure for Measure weds the beautiful with the troubling

House + Body provides few answers about how to resist (or further, dismantle) a corrupt government. But layered portrayals of the play’s central characters convey the emotional stakes of a system that allows for egregious abuses of power.

By Ferron Delcy
Production photo of Carried by the River. iPhoto caption: Photo by Dahlia Katz.
Reviews

REVIEW: Red Snow Collective’s Carried by the River is still finding its flow

Playing in the Tarragon Theatre Extraspace, Carried by the River delivers visually striking images and impressive choreography but struggles to find emotional depth and cohesion.

By Krystal Abrigo
Chris Tolley and Laura Mullin, the co-creators of CBC's PlayME podcast. iPhoto caption: Photo courtesy of the CBC.
Features

As the trade war rages on, CBC’s PlayME stays true to its mandate of platforming Canadian writers

“I think all five of these shows really help us plant a stake in saying who we are as Canadians,” says PlayME co-creator Chris Tolley.

By Nathaniel Hanula-James
Rosamund Small in Performance Review. iPhoto caption: Photo by Dahlia Katz.
Reviews

REVIEW: Outside the March’s Performance Review is claustrophobic for all the right reasons

It’s up close and personal, with lots of eye contact and sometimes only inches of distance between playwright-performer Rosamund Small and the audience.

By Gus Lederman
Production photo from Trident Moon. iPhoto caption: Photo by Dahlia Katz.
Reviews

REVIEW: Against a bloody backdrop, Trident Moon pays homage to the power of resilience

Playing at Crow’s Theatre and set during the 1947 partition of India, the intense fictionalized drama offers a graceful depiction of several women’s high-stakes struggle to resist.

By Liam Donovan
Photo of Kelly Clipperton in Let's Assume I Know Nothing, and Move Forward From There. iPhoto caption: Photo by Olya Glotka.
Reviews

REVIEW: At Factory Theatre, Kelly Clipperton’s new solo show transforms memory lane into a catwalk

Supported by Naomi Campbell’s glamorously grounded direction, which glides over the keys of sharply contrasting emotional scales, Clipperton paints a quippy, unapologetic, nostalgically referential portrait.

By jonnie lombard