Skip to main content

Show Announcement: 1979 by Michael Healey

int(107205)
iPhoto caption: Photo of ATP Production of 1979 by Benjamin Laird Arts Photography
/By / Oct 15, 2018
SHARE

The Toronto premiere of Michael Healey’s political comedy 1979 has been announced.

In June of 1979, Joe Clark was sworn in as Canada’s 16th prime minister on the eve of his 40th birthday. By winter, it was all over. The play finds Clark during the dying days of his government while he strives to hold true to his values as opinions swirl around him.

In April 2017, Alberta Theatre Projects produced the world premiere of 1979 in Calgary. The run garnered six Betty Mitchell Award Nominations. Director Miles Potter (New Canadian Curling Club, Blyth Festival) returns to direct the Toronto production opening January 2019.

The original cast of three play a dozen characters including politicians Pierre Trudeau, Brian Mulroney, and Flora MacDonald. Joe Clark, the headstrong and naive statesman, is played by Philip Riccio (Jerusalem, The Company Theatre). Riccio is joined by Christopher Hunt (Vanya and Sonia and Masha and Spike, Half Life, Alberta Theatre Projects) and Jamie Konchak (The Virgin Trial, Alberta Theatre Projects; Miss Caledonia, Lunchbox).

The production features original designs from Calgary-based designers: Jennifer Lee Arsenault (Costume), Thomas Geddes (Sound), and Scott Reid (Projections). The Toronto set designer is Steve Lucas (Heisenberg, Canadian Stage) with lighting design by Nick Blais (Dr. Silver, Outside the March/Musical Stage Company).

1979 examines the rapidly changing world of conservative politics and reflects on the end of a time when politicians were elected to serve all people—not only their supporters.  The production runs from January 9-27, 2019 at The Berkley Street Theatre. For tickets, click here or call the box office at 416-368-3110.

Meet the cast and crew of 1979 :

Michael Healey

Actor

Jamie Konchak's work as an actor, singer and creator has taken her from coast to coast to coast across Canada and she is proud to make her home in Calgary with husband Graham and Pomeranian Pepper. In the spring, she will be premiering a new female wrestling show about Andre The Giant with Ghost River Theatre.

Miles Potter

Nick Blais

Joe Clark

Riccio is the Co-Artistic Director of The Company Theatre. For the company Philip, has starred in Jerusalem (Dora Award Outstanding Production), John (Toronto Theatre Critics Award for Outstanding Production, Dora Award Nomination). As a performer Philip has worked with several other companies across Canada including The Stratford Festival, Soulpepper and Canadian Stage.

Christopher Hunt Gallery

Director

Potter has worked at virtually every major venue in the country over the past 30 years. He directed Stratford Festival's recent production of Long Day's Journey Into Night. His recent production of Mark Crawford's New Canadian Curling Club at Blyth was recently extended for five extra performances. He has worked on many new scripts including the premier production and national tour of Michael Healy's The Drawer Boy (Dora award).

Marcie Januska

Producer

Marcie Januska has been working as an arts administrator and stage manager for over 20 years. She is the co-founder and Producer at reWork Productions and Co-Producer at Spontaneous Theatre/Northan Industries. As a stage manager, she has worked on over 150 shows, including over 45 new plays.

Steve Lucas

Set Designer

Since 1987, Steve Lucas has designed award winning sets and lighting for more than 500 productions of theatre, dance and performance art. His work has toured extensively and has been seen all across the globe: 25 countries so far.

_x000D_

Jamie Konchak

Lighting Design

Blais designs across Canada in all manner of discipline and venue from Toronto's Royal Alexandra Theatre to the base of the Calgary Tower. He is head of design for Outside the March and the recipient of the 2018 Dora Mavor Moore Award for Outstanding Set Design (Jerusalem).

Philip Riccio

Bailey Green
WRITTEN BY

Bailey Green

Bailey is the former editor-in-chief of Intermission. She's a bilingual actor and writer originally from St. Lazare, Quebec. She hoards books, lives north of Bloor, and spends way too much money on bubble tea.

LEARN MORE

Comments

Leave a Comment

Your email address will not be published. Required fields are marked *


/
iPhoto caption: A graphic for the National Centre for New Musicals at Theatre Aquarius.

Theatre Aquarius reveals inaugural selections for National Centre for New Musicals

Following a request for submissions that drew over 260 applications, the NCNM curatorial committee has selected five works for support.

By Aisling Murphy
iPhoto caption: Photo by Rita Taylor

TO Live brings theatrical premiere of SKéN:NEN to the Bluma Appel Theatre

This May, TO Live will collaborate with Kaha:wi Dance Theatre to present SKéN:NEN, an immersive dance performance with a narrative rooted in cultural knowledge.

By Liam Donovan
iPhoto caption: Tarragon Theatre. Photo by Peter Harte

Tarragon Theatre announces exhilarating 24-25 season

Tarragon Theatre has announced its 53rd season, brimming with local premieres, new plays, and exciting co-productions.

By Aisling Murphy
test iPhoto caption: Courtesy of Brampton On Stage

Brampton On Stage assembles heavenly cast for one-night-only Pasek and Paul concert

Curated by Darryn de Souza and performed by a dynamic four-piece band, the show features a cast of stellar singers led by Elysia Cruz and Julia Pulo, currently starring in Mirvish’s Six.

By Liam Donovan

Introducing the next act of Intermission Magazine

Today, we’re launching some exciting new features and initiatives at Intermission, starting with a gorgeous new website by Mouth Media. 

iPhoto caption: Graphic courtesy of Theatre Calgary.

Theatre Calgary announces star-studded cast and creative team for Beaches the Musical

Theatre Calgary has announced the full cast and creative team for its upcoming international premiere of Beaches the Musical, beginning previews on May 18 in the Arts Commons Max Bell Theatre.

By Aisling Murphy