Skip to main content

Space Girl marks 14th digital presentation for Prairie Theatre Exchange

int(91905)
iPhoto caption: Photo by Joey Senft
/By / Jan 10, 2024
SHARE

Winnipeg’s Prairie Theatre Exchange (PTE) continues its commitment to producing digital theatre with its new filmed version of Frances Koncan’s Space Girl.

Though the comedy about an influencer born on the moon had its live premiere at PTE last March, this digital iteration of the show will make it accessible to audiences outside Winnipeg. 

This is PTE’s 14th digital presentation since the COVID-19 pandemic forced it to shift operations online.

The company’s first all-digital season, 2020/2021, opened with the world premiere of Katharsis by Yvette Nolan. The commissioned film, shot on PTE’s empty mainstage, was a direct response to the pandemic’s effects on theatre artists and audiences, as well as a reflection on where those changes might lead us. 

Katharsis was followed up with two digital works produced at PTE (Post-Democracy by Hannah Moscovitch and VOICE by Ismaila Alfa), plus two presentations of already filmed works (Frequencies by Aaron Collier, produced by HEIST, and 1 Hour Photo by Tetsuro Shigematsu, produced by Vancouver Asian Canadian Theatre).

Alongside a return to live performance, 2021/2022 brought five more online presentations to PTE, with an added focus on works by Indigenous artists, including The War Being Waged by Darla Contois (recently nominated for a Governor General’s Award), and Deer Woman by Tara Beagan, produced by ARTICLE 11 in partnership with Downstage. Each digital production employed multiple cameras and filmmakers to transform the experience in its journey from stage to screen.

In a press release, the company wrote that their commitment to providing digital experiences has “allowed the company to connect with new audiences by offering the freedom to engage with a production whenever, wherever, and however it suits them best.”


Space Girl will be available for streaming through Prairie Theatre Exchange from January 17 to 28. Tickets are available here.

Liam Donovan
WRITTEN BY

Liam Donovan

Liam is Intermission’s senior editor. His writing has appeared in publications like Maisonneuve, This, and NEXT. He loves the original Super Mario game very much.

LEARN MORE

Comments

Leave a Comment

Your email address will not be published. Required fields are marked *


/
iPhoto caption: Photo courtesy of Grand Theatre.

London’s Grand Theatre unveils 2025-26 season, including three musicals

The Grand Theatre has announced its six-show subscription season, which features three musicals, a pair of comedies, and the winner of the 2024 Pulitzer Prize for Drama.

By Liam Donovan

Meet the participants of What Writing Can Do: The 2025 Musical Theatre Critics Lab

Theatre Aquarius’ National Centre for New Musicals, the Grand Theatre, and Intermission Magazine are excited to announce the cohort of What Writing Can Do: The 2025 Musical Theatre Critics Lab.

By Liam Donovan
Production photo of Circa's Duck Pond. iPhoto caption: Photo by Pia Johnson.

Circus version of Swan Lake touches down at Meridian Arts Centre

This week, TO Live will present Circa’s Duck Pond, a circus reimagining of Swan Lake.

By Liam Donovan

Announcing the winners of the 2024 Nathan Cohen Awards

The Canadian Theatre Critics Association has announced the winners of the 2024 Nathan Cohen Awards for Excellence in Critical Writing, including two writers from Intermission.

By Liam Donovan
Production photo from Heist at the Grand Theatre. iPhoto caption: Photo by Dahlia Katz.

High-octane crime caper makes Ontario premiere at London’s Grand Theatre

This January, the Grand is diving into the world of diamonds, deals, and deceit with Arun Lakra’s Ocean’s Eleven-inspired Heist.

By Liam Donovan

Call for applications: Publishing and editorial assistant

Intermission Magazine is seeking a dynamic and collaborative individual to join our team.