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Ryan Borochovitz
Ryan Borochovitz (he/him) is a Toronto-based dramaturg, director, playwright, and academic. He is currently a PhD Candidate in the Centre for Drama, Theatre, and Performance Studies at the University of Toronto, and holds an MA in Theatre Theory and Dramaturgy from the University of Ottawa. He is the founding artistic director of the (essentially defunct) independent production company, Sad Ibsen Theatre. He currently serves as the co-artistic producer – former literary manager – of Cup of Hemlock Theatre, for whom he produces and occasionally hosts the theatre enthusiasm podcast, The Cup.
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iPhoto caption: 'The Hound of the Baskervilles 'rehearsal photo courtesy of Lighthouse Festival.
Three actors juggle 17 roles in Lighthouse Festival’s The Hound of the Baskervilles
“[I’ll] be taking off a full tweed suit and putting on a Victorian dress,” says actor Andrew Scanlon. “There will be a lot of coordination that needs to go on.”
iPhoto caption: 'Queen of the Night' promo photo courtesy of Luminato Festival.
REVIEW: Two site-specific Luminato concerts explore the significance of daily ritual
Grounded in a heightened sense of time and place, both Dawn Chorus and Queen of the Night Communion express curiosity about how art can disrupt patterns of living.
iPhoto caption: Justin Collette in 'Beetlejuice.' 2022 photo by Matthew Murphy.
REVIEW: For a show about death, Beetlejuice is impressively full of life
It's a thoroughly entertaining musical that even improves on the original film, adding a far more cohesive storyline, clearer character motivations, and an updated sense of humour.
iPhoto caption: Photo by Hans Ravn.
The Bentway’s Sand Flight asks how we might navigate a world remade by climate collapse
“We’re not only conveying dystopia,” says co-creator Jonas Corell Petersen. “Yes, we die. Yes, we dry out. But that makes way for something new, and the dancers carry hopefulness in their movement.”
iPhoto caption: Andrew Penner and Deborah Hay in 'After the Rain.' Photo by Dahlia Katz.
REVIEW: After the Rain transforms the Tarragon Mainspace into a passionate folk-rock concert
The performers of this world premiere musical got a lot of laughs from the buzzing opening night audience, but make no mistake, they got quite a few audible tears out of us, too.
iPhoto caption: Makambe K. Simamba as Celia (left) and Sara Farb as Rosalind in 'As You Like It.' Photo by David Hou.
‘A lot of eyes’ on Sara Farb as she opens her seventh season at the Stratford Festival
“This place is so great to work at because one day I go to work and put a mustache on and the other day I’m wearing a beautiful gown,” says Farb.
iPhoto caption: Photo by Henry Chan.
REVIEW: Cliff Cardinal’s CBC Special is a real gem
Cliff Cardinal’s CBC Special may not broadcast on Canadian television, but it is, indeed, quite special.
iPhoto caption: Photo by Henry Chan.
REVIEW: Erased at TPM sends its greetings from a precarious future
It’s in the moments of poignant ambiguity that Open Heart Surgery Theatre and Theatre Passe Muraille’s Erased really succeeds in firing up the audience’s imaginations, inviting us to try envisioning a better future.
iPhoto caption: Goblin:Macbeth production still by Jae Yang.
REVIEW: Goblin:Macbeth might just leave you gobsmacked
While most of the entertainment comes from the goblins’ antics whenever the Shakespearean text is paused or subverted for comic effect, the secret sauce to this whole endeavour is that it really is an honest-to-goodness staging of that text, designed to showcase the performers’ near-virtuosic mastery of the material.
iPhoto caption: Wonderful Joe production still by Ian Jackson.
‘What the hell do I do with all these puppets?’: Inside the wonderful world of Ronnie Burkett
“More than a few people said to me, ‘so this is your last show’,” says the legendary puppeteer ahead of his production of Wonderful Joe at TO Live. “Trust me, I never said this is my last show. I think that’s maybe a bit of ageism, or wishful thinking.”
iPhoto caption: Michelle Urbano, artistic director of Crossroads Theatre (formerly Shakespeare in Action).
Following a major rebrand, Crossroads Theatre is redefining summer theatre in Toronto
“If we start to think about the arts as a health service, I feel like that shift in thinking could do a lot for the arts, and a lot for the people of Toronto,” says Michelle Urbano, artistic director of Crossroads Theatre (formerly Shakespeare in Action).
iPhoto caption: Photo by Dahlia Katz.
Soulpepper and Outside the March effectively drown Uncle Walt’s highly manicured public image in acetone, leaving the audience with a grotesque portrait that feels at once comically exaggerated and painfully accurate.
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