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‘What the hell do I do with all these puppets?’: Inside the wonderful world of Ronnie Burkett

“More than a few people said to me, ‘so this is your last show’,” says the legendary puppeteer ahead of his production of Wonderful Joe at TO Live. “Trust me, I never said this is my last show. I think that’s maybe a bit of ageism, or wishful thinking.”

REVIEW: The Anger in Ernest and Ernestine simmers just below the surface

While the show certainly induces laughter, some of its strong design elements paint the actors into a corner, at times making the comedy feel a touch manufactured.

REVIEW: Samca is a disturbing, unique production that explores folklore and womanhood

The feminist folklore play, written by and starring Natalia Bushnik and Kathleen Welch, is an engrossing and sometimes frightening experience, perfect to kick off the scary season.

REVIEW: King James interrogates hometown pride and fandom 

LeBron James’ checkered legacy looms large over the events of King James, sensitively written by American playwright Rajiv Joseph and now playing in a stylish production at Theatre Aquarius.

Toronto Fringe unveils 2024 Next Stage programming

The Toronto Fringe has announced the lineup for the 17th annual Next Stage Theatre Festival, running at Buddies in Bad Times Theatre from October 16 to 27.

REVIEW: Welcome home, Come From Away

On the surface, not much has changed in Irene Sankoff and David Hein’s Tony Award-winning masterwork. But in the two and a half years since Come From Away’s last stint on King Street West, the show has continued to mature, and even improve — the production now playing at the Royal Alexandra Theatre is just stunning.

REVIEW: King James interrogates hometown pride and fandom 

LeBron James’ checkered legacy looms large over the events of King James, sensitively written by American playwright Rajiv Joseph and now playing in a stylish production at Theatre Aquarius.

REVIEW: Welcome home, Come From Away

On the surface, not much has changed in Irene Sankoff and David Hein’s Tony Award-winning masterwork. But in the two and a half years since Come From Away’s last stint on King Street West, the show has continued to mature, and even improve — the production now playing at the Royal Alexandra Theatre is just stunning.

King James brings basketball — and bromance — to Theatre Aquarius

“Sports and theatre both hold extraordinary characters in extraordinary circumstances,” says director Haysam Kadri. “That’s what my favourite type of theatre is: Characters placed in such interesting circumstances, and seeing how they navigate the world.”

REVIEW: 1939 finds tremendous power in the things left unspoken

Jani Lauzon’s production, now playing at Canadian Stage, paints a sharp portrait of a fictional residential school, but uses wide swathes of negative space to its advantage.

REVIEW: Life of Pi gleams with unforgettable puppets

Based on the beloved novel by Yann Martel, the exquisite touring production uses puppets as its vocabulary, asking complex questions about storytelling and the power of imagination.

REVIEW: In Rosmersholm, ghosts abound

While the play’s ideas sizzle and pop with contemporary verve, the story’s an occasionally frustrating vessel for those captivating sentiments on politics and identity.