Skip to main content

REVIEW: The Ballad of Stompin’ Tom at Capitol Theatre Port Hope

int(97731)
/By / Jun 15, 2023
SHARE

As a young lady from a small town in southwestern Ontario, I knew Stompin’ Tom Connors’ music long before I walked in the door of the Capitol Theatre in Port Hope to see its production of The Ballad of Stompin’ Tom. But this show taught me about the man behind the legend: the man who fought for Canadian music, the orphan who never stayed in one place for very long, the teen who really lived the song “I’ve Been Everywhere,” the man who sold more records than the Beatles, and the man who never got too big for his britches, continuing to perform in small towns like my native Kingsville long after becoming famous.

The Capitol itself is noteworthy; one of the last remaining “atmospheric theatres” in North America, according to Capitol Theatre’s artistic director Rob Kempson, the interior of the space is magical. Permanent facades of houses with windows and awnings flank the stage, while the ceiling is painted to look like a beautiful evening at dusk. Originally constructed to house a cinema, the Capitol Theatre has taken on a brilliant second life with live performances. 

The Ballad of Stompin’ Tom, written by David Scott, is one such performance. It tells the life story of Tom Connors, a young boy from the East Coast who grows up to be one of Canada’s most beloved folk singers. Throughout the two-hour performance, we watch as little Tommy is abandoned by his mother, teenage Tom buys his first guitar, and later becomes the Stompin’ Tom we all know and love. 

Kempson brilliantly directs the production. Along with his creative team, he’s developed a spectacular show that truly focuses on the music, while also creating memorable visuals along the way. Brandon Kleiman’s set design exposes the original brick back wall of the theatre, while platforms and stairs surround an almost two-storey replica of Stompin’ Tom’s guitar. Joyce Padua’s costume design gives an immediate sense of time and place; the men’s plaid work shirts and coveralls juxtaposed against the women’s floral 50’s style dresses encapsulate the era in which Connors grew up. Emily Porter’s sound design and Colette Pin’s lighting complete the experience; while at times the old building’s acoustics muddy some lyrics, the overall feeling is of being at a concert, and a stunning one at that.

The Ballad of Stompin’ Tom boasts a wildly talented cast of actors/musicians. Led by music director David Archibald, everyone on stage plays musical instruments and sings live throughout the performance. Scott Carmichael stars in the title role. You can tell he’s no stranger to the role, having played the titular role at the Sudbury Theatre Centre, or to the music, as he inhabits Stompin’ Tom fully and with great flair. 

Jack Barr, at the ripe age of ten, gives a fantastic performance as young Tommy, and plays four instruments onstage. Haneul Yi brings a heartfelt sincerity to teenage Tom, taking us through some of the most moving parts of Connors’ story with grace, while Donna Garner gives a wonderful performance as Isabel; her musicianship is matched in her acting prowess as she delivers us this broken, but not defeated, mother. Andy Trithardt and Alex St. Kitts give funny, vibrant performances as Gaetan and Pete, who own and operate the first bar where Connors gets a job. Rounding out the cast is Melissa Payne as Cora, whose passionate fiddle playing had all of our toes tapping.

Whether you’re a lifelong fan or new to Tom Connors’ music, you’re likely to love The Ballad of Stompin’ Tom. It’s a perfect blend of story and music that tells the tale of one of Canada’s heroes. 


The Ballad of Stompin’ Tom runs through July 2 at Capitol Theatre Port Hope. Tickets are available here.


Intermission reviews are independent and unrelated to Intermission’s partnered content. Learn more about Intermission’s partnership model here.

Janine Marley
WRITTEN BY

Janine Marley

Janine Marley is an independent theatre reviewer born in Kingsville, Ontario and has been a Torontonian since November 2020. She holds Honours BA and MA Degrees from the University of Windsor in English Language and Literature with her studies primarily focused on theatre. She began acting at a young age and continued acting in productions until 2018. She started her blog, A View from the Box, as a personal project to share her passion for theatre.

LEARN MORE

Comments

Leave a Comment

Your email address will not be published. Required fields are marked *


/
Production photo of Titanique at Segal Centre. iPhoto caption: Photo by Marie-Andree Lemire.

REVIEW: Titaníque loves Céline Dion with all its heart

Content quibbles aside, Titaníque’s inarguable accomplishment is musical: What an amazing showcase for a Canadian cast’s vocal chops and capacity to deliver character through song.

By Karen Fricker
iPhoto caption: Photo by Ben Laird.

REVIEW: Twelve Days brings Christmas joy to lunchtime in Calgary 

Watching Twelve Days is reminiscent of opening up the door to a chocolate advent calendar: yes, you know what you’re gonna get, but heck if you don’t enjoy every second of it.

By Eve Beauchamp
the sound of music iPhoto caption: Production still by Dahlia Katz.

REVIEW: The Sound of Music is enchanting at London’s Grand Theatre

Even after an umpteenth viewing of Richard Rodgers and Oscar Hammerstein’s classic, the material still feels fresh under Rachel Peake’s direction.

By Joe Szekeres
madame minister iPhoto caption: Madame Minister production still by Dahlia Katz.

REVIEW: Madame Minister is a star vehicle for actor Laura Condlln

Laura Condlln and Cyrus Lane offer performances that are worth the drive to Barrie — the two have terrific chemistry and timing.

By Aisling Murphy
Production photo of Craze at Tarragon Theatre. iPhoto caption: Photo by Roya DelSol.

REVIEW: Tarragon’s Craze lacks focus — that’s what makes it fun

A frenzied test of endurance, Craze whips along like a social media feed on steroids, sprinting from image to image with wild, masculine bravado.

By Liam Donovan
Production photo of Erased at Theatre Passe Muraille. iPhoto caption: Photo by Henry Chan.

REVIEW: Erased at TPM sends its greetings from a precarious future

It’s in the moments of poignant ambiguity that Open Heart Surgery Theatre and Theatre Passe Muraille’s Erased really succeeds in firing up the audience’s imaginations, inviting us to try envisioning a better future.

By Ryan Borochovitz