Playing at Crow’s Theatre and set during the 1947 partition of India, the intense fictionalized drama offers a graceful depiction of several women’s high-stakes struggle to resist.
I won’t ever do something like this again with this column, but I wanted to do it just this once. For David Fox. Because I fucking love him. And I will fucking miss him.
Here at Intermission we strongly believe that providing a platform for theatre artists to elaborate on the ideas behind the work they are making is important to establish a dialogue with...