british
When the Playwright Goes Prose: In Conversation with Haley McGee
My process with solo shows involves sharing bits of text with audiences when I don’t really know where it’s going, or how it’s going to end. I’m pivoting myself to the responses from the audience — I sniff out where I want to go, and how I want to shape the piece. Through creating solo shows, I discovered how much I love this direct, unfettered relationship with an audience.
Sarah Kane’s Been Dead For 23 Years. I Still Don’t Know How to Thank Her.
My letters to you are a once-a-year digestif, an acknowledgment of gratitude, of lineage, of love.