Coal Mine Theatre
iPhoto caption: Photo by Barry McClusky.
REVIEW: Contact highs mix with rehab lows in Coal Mine’s People, Places and Things
Louise Lambert embodies the caustic, recoiling Emma with extraordinary physical and emotional stamina, hands thrust in her hoodie pockets as if they might contain keys to another, less excruciating world.
iPhoto caption: A Case for the Existence of God production still by Cylla von Tiedemann.
REVIEW: A Case for the Existence of God makes meaning of platonic intimacy
The play’s urgency and strength come from the gentle way it presents male vulnerability and platonic intimacy — for lack of which men may burn themselves, or the rest of us, to the ground.
iPhoto caption: Photo by Elana Emer.
REVIEW: Infinite Life thrums with meditations on chronic illness and pain
Director Jackie Maxwell’s production at Coal Mine Theatre, featuring six generous, empathetic performances, is a paean of understanding for the chronically ill, candidly examining the despair and fury of bodily helplessness in a way that’s magnified by our proximity to the characters in the intimate space.
iPhoto caption: Photo of Natasha, Pierre & The Great Comet of 1812 by Dahlia Katz.
Toronto theatre wins big at the 2024 Dora Awards
The winners of the 2024 Dora Awards were announced on Monday in a lively ceremony hosted by Ryan G. Hinds at the Elgin and Winter Garden Theatre Centre.