Coal Mine Theatre
iPhoto caption: Amy Rutherford in 'Pre-Existing Condition.' Photo by Elana Emer.
In an attempt to create an issue-based work with a central everywoman, the play sends the message that we shouldn’t allow domestic violence to define a person while simultaneously staging that definition.
iPhoto caption: Amy Keating, Zorana Sadiq, Katherine Cullen, and Jean Yoon in 'Dance Nation.' Photo by Elana Emer.
REVIEW: Coal Mine Theatre’s Dance Nation vaults into the feral, ecstatic mess of girlhood
Played by a cast whose ages range widely, the characters exist in two tenses at once: present-day adolescence and retrospective memory, living these tender years shadowed by the adults they’ll become.
iPhoto caption: Sophia Walker in 'Eureka Day.' Photo by Elana Emer.
REVIEW: Coal Mine’s Eureka Day offers a nuanced portrayal of medical mistrust
What could possibly urge people to deny experts, doctors, and researchers at the risk of their own life — and the lives of their children? These thoughts swirled through my brain as I entered Coal Mine Theatre to watch the compelling piece of art that is Eureka Day.
iPhoto caption: Kristen Thomson in 'Fulfillment Centre.' Photo by Elana Emer.
REVIEW: Coal Mine’s Fulfillment Centre asks how we end up alone, together
The production understands the play’s themes, yet feels limited by a script that delivers a package it never fully opens.