By far, the best part of Fringe season is the people: artists like Nam Nguyen, who captivated the city last year with his Fringe musical about soup, and administrators like Lucy Eveleigh, executive director of the Fringe and one of the most respected artistic leaders in Toronto.
With joy, talent, and a knockout piece of writing, Epstein’s made the glorious Royal Alex feel new again, a feat even greater than surviving a run of Spider-Man: Turn off the Dark.