Erin Shields
iPhoto caption: Members of the company of 'Medusa.' Photo by Dahlia Katz.
REVIEW: Soulpepper’s Medusa creates a mess it refuses to tidy
Speaking in sibilant murmurs via headsets wired into each seat of the Baillie Theatre, a chorus of intimate voices infiltrates the audience experience, drowning out dialogue and weaving an overstimulating soundscape.
iPhoto caption: Amaka Umeh, Nancy Palk, Michelle Monteith, Belinda Corpuz, and Sabryn Rock in 'Mary, Mary, Mary, Mary.' Photo by Dahlia Katz.
REVIEW: Erin Shields’ Mary, Mary, Mary, Mary is brash, funny, and message-forward
At Crow’s Theatre, Mary, Mary, Mary, Mary is a sensory feast fit for any house of worship. But with so much material, and only 95 minutes, I’m left feeling that the Marys have more yet to say.
iPhoto caption: Deborah Hay in 'Piaf/Dietrich.' Photo by Dahlia Katz.
REVIEW: Opposing personalities collide in Piaf/Dietrich at London’s Grand Theatre
The show succeeds in showcasing Piaf and Dietrich's vulnerabilities by portraying them as a form of star-crossed lovers — destined not just for fame, but each other.
iPhoto caption: Deborah Hay and Terra C. MacLeod in 'Piaf/Dietrich.' Photo by Dahlia Katz.
The Grand Theatre’s music-infused Piaf/Dietrich considers fame, friendship, and desire
“The extremes of both characters gives us a lot to consider and experience for how to live," says director Rachel Peake. "Should we lead with passion or precision? It’s sort of a no-brainer that happiness lies somewhere in the middle."