“It’s very ambitious,” says artistic and executive director Alexandra Damiani. “Each choreographer has a clear vision and language. Leonard Cohen wrote, ‘There is a crack in everything, that’s how the light gets in.’ When I see Foniadakis work with Cohen’s music, he finds the cracks between the notes, beats, and words.”
So I’ve been trying that strategy where you call anything you don’t like fake to make it go away but, so far, my “fake belly” and my “fake taxes in arrears” are still very fucking there.