lepage
iPhoto caption: Members of the company of 'Macbeth.' Photo by Yves Renaud.
REVIEW: Ex Machina’s leather-clad Macbeth is slick, current, and unmistakably Quebecois
Given that this production premiered in English at the Stratford Festival last year, I was curious how Robert Lepage might adapt the work for a Francophone context. By layering narrative adaptation, rich linguistic translation, and visual elements of mass media, Lepage delivers a Macbeth that is current and compelling.
iPhoto caption: Olivier Normand in 'The Far Side of the Moon.' Photo by Li Wang.
REVIEW: Lepage’s ethereal The Far Side of the Moon is insomniac theatre
The Far Side of the Moon begins and ends with a large mirror on stage, and the show extracts enigmatic power from the tantalizing question of whether its protagonist is losing himself in his reflection, or moving toward self-discovery.