magazine
When the Playwright Goes Prose: In Conversation with Haley McGee
My process with solo shows involves sharing bits of text with audiences when I don’t really know where it’s going, or how it’s going to end. I’m pivoting myself to the responses from the audience — I sniff out where I want to go, and how I want to shape the piece. Through creating solo shows, I discovered how much I love this direct, unfettered relationship with an audience.
Unearthing the Joy in Black History: In Conversation with Luke Reece on 1851: Spirit and Voice
“I want audiences to see Black joy through these historical figures, and not just see the trauma," says playwright Luke Reece.
Dave Chappelle, Masks Off Camera, and Non-Beef with Stratford
I say this over and over, but saying no is the only power you have as an actor. At least if you lose the job, you can lose it on your own terms, and not theirs. And I’m not speaking in theory here, I’m speaking from experience. I’ve been asked twice to re-audition for projects over the years. I said no both times. One time they kept me. One time they didn’t. Life went on just fine both times.
Best of Nappoholics Anonymous 2019
Tony Nappo is taking a holiday break after another year of sharing twelve thoughts weekly. We’ve collected some of his wittiest ones to revisit over the break.