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Liam Donovan
Liam is Intermission’s senior editor. He lives in Toronto. His Substack newsletter is available at loamdonovan.substack.com.
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iPhoto caption: Members of the company of 'Tiger Bride.' Set and costume design by Shannon Lea Doyle, lighting design by Frank Donato. Photo by Dahlia Katz.
Soulpepper’s Tiger Bride offers a ‘wildly transformative’ audience experience, says Hailey Gillis
“It starts out in a hyper-fairy-tale world, and then we slowly, by the end of it, move into a rock-n’-roll basement concert,” says creator-performer Hailey Gillis. “We're just left with guitars and sweaty bodies and loudspeakers."
iPhoto caption: Lunchbox Theatre's new home. Photo by Hugh Short.
Calgary’s Lunchbox Theatre announces 2026-27 season — and a new home
After nearly two decades at the base of the Calgary Tower, North America’s longest-running lunchtime theatre will now reside in an arts and culture hub called cSPACE Marda Loop.
iPhoto caption: Christian Van Horn and Karen Cargill in 'Bluebeard's Castle.'
REVIEW: COC’s Bluebeard’s Castle/Erwartung is a hypnotic exploration of light
Rather than retread the ground of an overall analysis, I’d like to zoom in on an element that particularly interested me: Simonovitch Prize-winning designer Robert Thomson’s expressionistic lighting for Bluebeard’s Castle, which nicely enriches the opera’s ambiguous psychological landscape.
iPhoto caption: Gabriella Sundar Singh in 'Through the Eyes of God.' Photo by Jae Yang.
Through the Eyes of God makes noise at the 2026 Toronto Theatre Critics’ Awards
The jury of the Toronto Theatre Critics’ Awards (TTCAs) has announced its 2026 results — 26 winners across 20 categories, plus a special citation.
iPhoto caption: Meilie Ng, Wai Yin Kwok, and Sophie Gee in 'Bonnes Bonnes.' Photo by
Eden Graham.
REVIEW: Nervous Hunter’s Bonnes Bonnes combines laid-back ingredients to flavourful effect
Bonnes Bonnes is a nice reminder that productions can think, play, chill — and chili — all at once.
iPhoto caption: Photo by Lynda J Watson.
Anita La Selva’s interdisciplinary 12 Litres 8800 Steps frames caregiving as an emotional odyssey
“I really wanted to tell the story of the people who are affected by their loved ones’ addictions. Because I don't think that that is a story that we see very often,” says the creator-performer ahead of the show’s premiere at the Factory Theatre Mainspace.
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