Skip to main content

At events across the country, Canadian Actors’ Equity Association celebrates 50 years

The Lula Lounge in Toronto. Photo by Sam Gaetz. iPhoto caption: The Lula Lounge in Toronto. Photo by Sam Gaetz.
/By / Oct 27, 2026
SHARE

Canadian Actors’ Equity Association is marking its 50th anniversary with a slate of fall events across the country.

Equity represents nearly 6,000 professional artists working in opera, English-language theatre, and dance nationwide, advocating for fair wages, safe working conditions, and more. 

The centrepiece of the anniversary celebrations is the presentation of Equity Life Memberships — the association’s highest honour — recognizing outstanding contributions to the Canadian performing arts. One recipient from each of Equity’s geographic and discipline-based regions will receive the designation. 

Billy Merasty accepts his Equity Life Membership at the Lula Lounge in Toronto. Photo by Sam Gaetz.

The recipients are: Kent Allen (Saskatchewan), Jillian Rees Brown (Atlantic), Laurie Champagne (stage management), Micheline Chevrier (Quebec), Tracy Dahl (eastern opera), Donna Fletcher (Manitoba and Nunavut), Lorna Geddes (dance), John Koensgen (eastern Ontario and Outaouais), Doug McKeag (southern Alberta), Billy Merasty (Ontario), Wade Nott (western Opera), Maralyn Ryan (northern Alberta and Northwest Territories), and James Fagan Tait (British Columbia and the Yukon).

There are also three national awards. Equity presents the Larry McCance Award to former Equity Council vice president Donna Fletcher for her outstanding contribution to the association. The Emerging Artist Award, honouring exceptional artistic achievement early in an Equity member’s career, goes to Sophie-Thérèse Stone-Richards. And the Changemaker Award recognizes Deborah Williams’ leadership in advancing diversity, equity, and inclusion across Canada’s performing arts sector.

Equity members celebrate at the Lula Lounge in Toronto. Photo by Sam Gaetz.

“For 50 years, our members have been the driving force behind Equity and behind Canada’s performing arts community,” wrote council president Scott Bellis in a press release. “This anniversary is an opportunity to recognize the artists whose talent, leadership, and generosity have strengthened our profession, supported their colleagues, and helped build the association we know today. We are proud to celebrate these remarkable individuals and the lasting impact they have had on artists and audiences across Canada.”


To learn more about the honourees, click here. To learn more about the 50th anniversary events taking place across the country, click here.


Canadian Actors’ Equity Association is an Intermission partner. Learn more about Intermission’s partnership model here.

Liam Donovan
WRITTEN BY

Liam Donovan

Liam is Intermission’s senior editor. He lives in Toronto. His Substack newsletter is available at loamdonovan.substack.com.

LEARN MORE

Comments

Leave a Comment

Your email address will not be published. Required fields are marked *


Karen Robinson in 'Prophetess.' Photo by Jae Yang. iPhoto caption: Karen Robinson in 'Prophetess.' Photo by Jae Yang.

REVIEW: In Tarragon’s outstanding Prophetess, language is both mighty and inadequate

Margaret’s facility with text helps her maneuver through an institution like York University, where words hold significant power. But the brilliant middle-aged scholar finds herself surprisingly unequipped to process the true sense of more elemental forces: love, grief, spiders.

By Liam Donovan
'Documents Perform 3.' iPhoto caption: 'Documents Perform 3.' Photo by T Photo Factory.

REVIEW: The Massey Report shaped Canadians’ perception of the arts. These theatre-makers are rewriting it.

Joining online from across the Americas, more than a dozen artists, artistic producers, cultural leaders, and policymakers add live suggestions to the document, together transforming stuffy bureaucratic language into a rowdy patchwork of compassionate imagining.

By Liam Donovan
iPhoto caption: Stratford's Tom Patterson Theatre. Photo by Ann Baggley.

Jonathan Church’s first Stratford Festival season serves up musicals, Shakespeare, and literature adaptations — with a helping of Saul Rubinek

2027 highlights include a new Canadian Jacob Two-Two musical and two of the Bard’s thornier plays: The Merchant of Venice and The Taming of the Shrew.

By Liam Donovan
Devon Michael Brown as Rusty Charlie with members of the 'Guys and Dolls' company. iPhoto caption: Devon Michael Brown as Rusty Charlie with members of the 'Guys and Dolls' company.

How Stratford Festival dancer Devon Michael Brown leaps and pirouettes through Guys and Dolls and Something Rotten!

“It's so exhausting, but it's really rewarding when you get to dance so full-out,” says Devon Michael Brown. “You get to use your technique and your training to the fullest extent.”

By Liam Donovan
Ping-Hsiang Wang in 'Retina Maneuver.' iPhoto caption: Ping-Hsiang Wang in 'Retina Maneuver.' Photo by Hang Su.

REVIEW: At this year’s SummerWorks Performance Festival, physical storytelling is central

From a dancer becoming a canine to a shy theatre director practicing his swordsmanship, the shows I’ve seen so far use performers’ bodies to dramatize defiance.

By Liam Donovan
Anna Morreale and Luca McPhee perform at the 2025 MADGEN Theatre Festival. iPhoto caption: Anna Morreale and Luca McPhee perform in 'From Stardust' at the 2025 MADGEN Theatre Festival. Photo by Dave Klassen.

MADGEN Theatre Festival returns to the Danforth

Theatre of the Beat selected four producers under the age of 30 to receive paid mentorship from Toronto theatre-makers. From August 20 to 22, each member of the cohort mounts a new one-act Canadian play.

By Liam Donovan