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Krystal Abrigo
Krystal is Intermission's Publishing and Editorial Coordinator. A Scarborough-based writer of Philippine and Egyptian descent, she graduated cum laude with an Honours BA in Professional Writing from York University, specializing in Book Publishing and Corporate/Organizational Communication. She enjoys reading bell hooks, Audre Lorde, and James Baldwin. At any given moment, you can probably find her at a concert or on a long walk somewhere in Toronto.
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iPhoto caption: Headshot by Andy Moro.
Tara Beagan wins 2025 Governor General’s Award for drama
Published by Playwrights Canada Press, her multilingual play Rise, Red River connects environmental devastation with the intergenerational impacts of colonial violence.
iPhoto caption: Olivier Normand in 'The Far Side of the Moon.' Photo by Li Wang.
REVIEW: Lepage’s ethereal The Far Side of the Moon is insomniac theatre
The Far Side of the Moon begins and ends with a large mirror on stage, and the show extracts enigmatic power from the tantalizing question of whether its protagonist is losing himself in his reflection, or moving toward self-discovery.
iPhoto caption: Shaakir Muhammad, Christopher Gerty, and Matthieu Pagès with artists of the National Ballet in 'Procession.' Photo by Karolina Kuras. Courtesy of the National Ballet of Canada.
REVIEW: National Ballet’s Procession tangles the lines of sorrow and sensuality
Procession, the National Ballet of Canada’s brooding and stylized world premiere ballet, rushes to the stage with startling vitality — and does so at a funeral.
iPhoto caption: The company of 'CHILD-ish.' Photo by Jae Yang.
REVIEW: Tarragon’s CHILD-ish takes a hopeful and hilarious look at life through kids’ eyes
It’s a giggly good time, if a pinch oversweet.
iPhoto caption: Vincent LeBlanc-Beaudoin, Drew Moore, and Peter James Haworth in 'Abraham Lincoln Goes to the Theatre.' Photo by Emelia Hellman.
REVIEW: At Ottawa’s GCTC, you won’t expect what happens when Abraham Lincoln Goes to the Theatre
Sarah Kitz’s production leans into the play’s real strength: its exploration of narrative. The characters attempt to narrativize the play’s events before, after, and even while they take place. But their failure to impose narrative logic onto complex realities only results in escalating cycles of violence.
iPhoto caption: 'Kokuho' still courtesy of TIFF.
REVIEW: During this year’s TIFF, two films depicted theatre as a vessel for transcendence
Of the several performing arts-adjacent selections I took in, most affecting were two dramas: Lee Sang-il’s Kokuho and Chloé Zhao’s Hamnet. In both period pieces, theatre creation serves as an emotional outlet for an artist navigating devastating loss.
iPhoto caption: Headshot by Andy Moro.
Tara Beagan wins 2025 Governor General’s Award for drama
Published by Playwrights Canada Press, her multilingual play Rise, Red River connects environmental devastation with the intergenerational impacts of colonial violence.
Announcing the ON Criticism: 2025/26 Theatre Critics Lab cohort
Caelan Beard (Brampton), Alexandrea Marsh (London), Phillip Dwight Morgan (Toronto), Izzy Siebert (London), Joe Szekeres (Oshawa), and Hunter Weaymouth (Hamilton) will work with Intermission senior editor Liam Donovan and editorial director Karen Fricker in this six-month-long training and professional development program.
iPhoto caption: A headshot of Jonathan Church. Photo courtesy of The Stratford Festival.
Stratford names Jonathan Church as its new artistic director
“The Festival is fortunate to have attracted such a celebrated and accomplished artistic leader,” wrote Stratford executive director Anita Gaffney in a press release.
iPhoto caption: Liz Der, Vivien Endicott-Douglas, Philippa Domville, and Sofia Rodriguez. Photo by Dahlia Katz.
Chelsea Woolley world premiere to kick off 2025-26 Nightwood season
A highly physical and unexpectedly comedic work, Enormity, Girl, and the Earthquake in Her Lungs explores refuge, resilience, and survival. At its centre is Vic, a young woman who finds herself in a shelter under extraordinary circumstances.
iPhoto caption: A stock image of Lighthouse Festival Theatre in Port Dover.
Lighthouse Festival reveals 2026 summer lineup
“Our 2026 season is bursting with stories we can’t wait to share with you,” wrote artistic director Jane Spence in a press release.
iPhoto caption: Janelle Hanna in 'Heratio.' Photo by Raph Nogal.
REVIEW: Guild Festival Theatre’s ambitious Heratio wanders through a thicket of subplots
Genevieve Adam’s world premiere script plunges into the smouldering wreckage of Hamlet, twisting its narrative with conspiracies, disguises, and a heavy dose of meta-humour.
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