Rather than retread the ground of an overall analysis, I’d like to zoom in on an element that particularly interested me: Simonovitch Prize-winning designer Robert Thomson’s expressionistic lighting for Bluebeard’s Castle, which nicely enriches the opera’s ambiguous psychological landscape.
By Liam Donovan /May 14, 2026
iPhoto caption: Space Girl production shot by Joey Senft.
Hailey Verbonac is a trailblazing designer — and budding rap lyricist. At least that’s the case with regard to his work on Space Girl, a new play by Frances Koncan that Prairie Theatre Exchange is presenting digitally following a live run in 2023.
At a time when theatres are struggling to get their pre-pandemic audiences back, it’s shocking that strobe lights are still featured in many productions. They might seem like a splashy yet innocuous design choice, but they are at best a barrier for potential audience members — and, at worst, they have painful consequences.
I recently realized that my four closest friends presently are all women who have broken up with me. I guess I just like surrounding myself with people who make wise life choices.