Speaking in sibilant murmurs via headsets wired into each seat of the Baillie Theatre, a chorus of intimate voices infiltrates the audience experience, drowning out dialogue and weaving an overstimulating soundscape.
By Ferron Delcy /Jun 29, 2026
iPhoto caption: Amaka Umeh, Nancy Palk, Michelle Monteith, Belinda Corpuz, and Sabryn Rock in 'Mary, Mary, Mary, Mary.' Photo by Dahlia Katz.
At Crow’s Theatre, Mary, Mary, Mary, Mary is a sensory feast fit for any house of worship. But with so much material, and only 95 minutes, I’m left feeling that the Marys have more yet to say.