I tried to watch the first few episodes of Russian Doll but was distracted by myself constantly yelling at the TV, “It’s Groundhog Day! You’re being Groundhog Day-ed!!! How the fuck could you not have seen Groundhog Day???”
Giants like Mirvish are able to bring shows across the country, and to attract other companies to Toronto. But other than the Fringe circuit, there are few similar opportunities for small performing arts companies.
As we move into a world where more and more non-traditional and immersive theatre is being created, it’s important to ask: how are the creators of these stories documenting them so that other artists can benefit?