The specter of death is omnipresent in Phalanx, one of the offerings at this August's SummerWorks Performance Festival. First presented by DNA Theatre in 1998, the current version was catalyzed in 2023, perhaps fittingly, by the passing of former artistic director Hillar Liitoja. I decided to document the creative process and to provide space for the artists involved to reflect on why they were doing the show and what they hoped to achieve.
During the festival’s closing weekend, I saw two works that live side by side in my memory even as they differed in style and intention. Both Je ne vais pas inonder la mer (I Will Not Flood the Ocean) and Graveyards and Gardens explored memory, loss, and the body’s way of carrying history — one did so with devastating intimacy, the other with cerebral play.
By Lindsey King /Aug 21, 2025
iPhoto caption: Photo of 'the body symphonic' by Giuseppe Follachio.