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Nathaniel Hanula-James
Nathaniel Hanula-James is a multidisciplinary theatre artist who has worked across Canada as a dramaturg, playwright, performer, and administrator.
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iPhoto caption: Toronto Fringe promo photo by Robbie Harper.
REVIEWS: Toronto Fringe Festival 2026
This collection of Toronto Fringe Festival capsule reviews will be updated throughout the festival with writing from 10 different critics.
iPhoto caption: Photos of Shalon T. Webber-Heffernan, Paul Couillard, and James Knott courtesy of 7a*11d.
The organizers of the 7a*11d festival want you to know that performance art is still ‘punk as hell’
"There’s something about being live, with a sweaty, stinking, gross, dirty body, that’s just — you’re in it," says collective member Shalon T. Webber-Heffernan. "There’s some kind of alchemy going on that’s addictive to me. I think 7a*11d is sort of the dealer, if you will! It’s keeping us all hooked onto this weird obsession."
iPhoto caption: Peter Wylde for Intermission Magazine. Photo by Dahlia Katz.
In memory of Peter Wylde, the time-travelling acting teacher
What follows is an edited and condensed collage, loosely organized by theme, that only scratches the surface of Wylde’s life and impact.
iPhoto caption: Dance Macabre cast. In photo: Keira Marie Forde (front). Back: [L to R] Uche Ama, King Cosmos, Theresa Gomes and Thomas Fournier. Photo by Tiku Romello Fisher (TRF Media).
At the 2026 Toronto Fringe, Caribbean artists stage collisions of identity, power, and desire
In separate video conversations, the lead artists behind Danse Macabre, Ex-Change of Words, and Momme Domme spoke about approaching themes of Blackness, diaspora, power, and desire.
iPhoto caption: Marissa Orjalo as Ariel with members of the company in 'The Tempest.' Stratford Festival 2026. Photo by Ann Baggley.
For Marissa Orjalo, this season at Stratford is such stuff as dreams are made on
“Every day feels like a new adventure,” says Orjalo. “I always look to the people who've come before me, and they're always very generous. I'm on this journey of learning, and I hope to learn for the rest of my life.”
iPhoto caption: Ordena Stephens-Thompson and Tony Nappo in 'The Neighbours' at Tarragon Theatre. Photo by Jae Yang.
As PlayME’s season concludes, its creators reflect on the changing world of Canadian audio drama
Chris Tolley remembers CBC's Studio 212 with a sense of awe. “It felt like you were on the Starship Enterprise holodeck,” he said. “There was this big, long table with all these different computers and servers underneath. The studio had these different staircases made out of wood and metal, and strips of concrete and wood floor, so that you could run on them and record [different sound effects].”
iPhoto caption: 'Chicken.' Photo by Hildegard Ryan.
This piece of contemporary Irish theatre stars a talking fowl with a ketamine habit. Its creators are anything but chicken.
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