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/By / Dec 17, 2025
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Liam Donovan
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Liam Donovan

Liam is Intermission’s senior editor. He lives in Toronto. His Substack newsletter is available at loamdonovan.substack.com.

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iPhoto caption: 'Vampyr.' Photo by Nicolas Calderon.

REVIEWS: Festival TransAmériques 2026

The 20th edition of Montreal’s FTA does right by its name, featuring a curated lineup of 25 theatre and dance productions with roots mostly in the Americas. This year, Intermission presents its most comprehensive FTA coverage ever, with four critics publishing a total of 16 capsule reviews — responses that will appear below over the course of the two-week festival.

By Liuba de Armas, , Liam Donovan
iPhoto caption: A promo shot for the 2026 Toronto Fringe Festival. Photo by Robbie Harper.

Toronto Fringe reveals 2026 programming

Summer is on the horizon, and that means the Toronto Fringe Festival is too. The annual event’s 38th edition spans 13 days and features 123 shows in 27 venues across the city.

By Liam Donovan
Members of the company of 'Tiger Bride.' Set and costume design by Shannon Lea Doyle, lighting design by Frank Donato. Photo by Dahlia Katz. iPhoto caption: Members of the company of 'Tiger Bride.' Set and costume design by Shannon Lea Doyle, lighting design by Frank Donato. Photo by Dahlia Katz.

Soulpepper’s Tiger Bride offers a ‘wildly transformative’ audience experience, says Hailey Gillis

“It starts out in a hyper-fairy-tale world, and then we slowly, by the end of it, move into a rock-n’-roll basement concert,” says creator-performer Hailey Gillis. “We're just left with guitars and sweaty bodies and loudspeakers."

By Liam Donovan
Lunchbox Theatre's new home. Photo by Hugh Short. iPhoto caption: Lunchbox Theatre's new home. Photo by Hugh Short.

Calgary’s Lunchbox Theatre announces 2026-27 season — and a new home

After nearly two decades at the base of the Calgary Tower, North America’s longest-running lunchtime theatre will now reside in an arts and culture hub called cSPACE Marda Loop. 

By Liam Donovan
Christian Van Horn and Karen Cargill in 'Bluebeard's Castle.' iPhoto caption: Christian Van Horn and Karen Cargill in 'Bluebeard's Castle.'

REVIEW: COC’s Bluebeard’s Castle/Erwartung is a hypnotic exploration of light

Rather than retread the ground of an overall analysis, I’d like to zoom in on an element that particularly interested me: Simonovitch Prize-winning designer Robert Thomson’s expressionistic lighting for Bluebeard’s Castle, which nicely enriches the opera’s ambiguous psychological landscape.

By Liam Donovan
Gabriella Sundar Singh in 'Through the Eyes of God.' iPhoto caption: Gabriella Sundar Singh in 'Through the Eyes of God.' Photo by Jae Yang.

Through the Eyes of God makes noise at the 2026 Toronto Theatre Critics’ Awards

The jury of the Toronto Theatre Critics’ Awards (TTCAs) has announced its 2026 results — 26 winners across 20 categories, plus a special citation.

By Liam Donovan
Meilie Ng, Wai Yin Kwok, and Sophie Gee in 'Bonnes Bonnes.' iPhoto caption: Meilie Ng, Wai Yin Kwok, and Sophie Gee in 'Bonnes Bonnes.' Photo by Eden Graham.

REVIEW: Nervous Hunter’s Bonnes Bonnes combines laid-back ingredients to flavourful effect

Bonnes Bonnes is a nice reminder that productions can think, play, chill — and chili — all at once.

By Liam Donovan