Skip to main content

Calgary’s Lunchbox Theatre announces 2026-27 season — and a new home

Lunchbox Theatre's new home. Photo by Hugh Short. iPhoto caption: Lunchbox Theatre's new home. Photo by Hugh Short.
/By / May 29, 2026
SHARE

For its 52nd season, Calgary’s Lunchbox Theatre is moving five kilometres southwest.

After nearly two decades at the base of the Calgary Tower, including five years in the Vertigo Theatre Studio, North America’s longest-running lunchtime theatre will now reside in an arts and culture hub called cSPACE Marda Loop. 

“We’re so excited to move to cSPACE. To be surrounded by a community of artists in a neighbourhood [Marda Loop] that has been so welcoming and enthusiastic about the theatre we make is a dream come true,” wrote Lunchbox artistic director Bronwyn Steinberg in a press release. “We can’t wait for Marda Loop to experience our 52nd season, right in their backyard.”

Lunchbox’s 2026-27 season unfolds in cSPACE’s studio theatre, which can seat 96. The arts hub is based in a repurposed early-20th-century school, with the theatre’s contemporary steel-and-glass architecture located outside the historic frame.

The productions that make up Lunchbox’s 2026-27 lineup are listed below.


Ribstone

Written and performed by Christopher Hunt
October 7 to 17, 2026

Returning after a sold-out run at last year’s High Performance Rodeo, music and history come together in this solo show about the ranching roots of Hunt’s family. With folksiness and humour, Christopher retells the story of Alberta through modern eyes.

A Christmas Carol Radio Play Live

Adapted and directed by Bronwyn Steinberg
December 1 to 24, 2026

It’s the golden age of radio, and a local station is celebrating the 100-year anniversary of Dickens’ A Christmas Carol with a live broadcast. In this brand-new adaptation, three actors embody the story’s characters while creating foley sound effects live on stage.

Inner Elder

Written and performed by Michelle Thrush
January 20 to 30, 2027

Winner of outstanding production at the Betty Mitchell Awards for its world premiere at Lunchbox in 2018, this solo show traces Thrush’s life — from a childhood spent searching for Indigenous representation while flipping through television channels, to her early success as an actor in an industry that leaned on stereotypes.

Oh Mother!

Written and performed by Rebbekah Ogden
March 2 to 6, 2027

In this solo show from last year’s Calgary Fringe, Ogden paints an audience member’s portrait while performing the mostly true coming-of-age story of Bekah, an aspiring child artist with 11 siblings.

Marv & Ev

Written by Jason Long
October 7 to 17, 2026

Marv and Ev have shared half a life together, but even in their 70s, there are still things that remain unsaid between them. Part buddy comedy and part Twilight Zone episode, Marv & Ev is a celebration of life and death that was workshopped at the 2025 edition of Lunchbox’s Stage One Festival of New Canadian Work.


For more information about the 2026-27 season, visit Lunchbox Theatre’s website.


Lunchbox Theatre is an Intermission partner. Learn more about Intermission’s partnership model here.

Liam Donovan
WRITTEN BY

Liam Donovan

Liam is Intermission’s senior editor. He lives in Toronto. His Substack newsletter is available at loamdonovan.substack.com.

LEARN MORE

Comments

Leave a Comment

Your email address will not be published. Required fields are marked *


Karen Robinson in 'Prophetess.' Photo by Jae Yang. iPhoto caption: Karen Robinson in 'Prophetess.' Photo by Jae Yang.

REVIEW: In Tarragon’s outstanding Prophetess, language is both mighty and inadequate

Margaret’s facility with text helps her maneuver through an institution like York University, where words hold significant power. But the brilliant middle-aged scholar finds herself surprisingly unequipped to process the true sense of more elemental forces: love, grief, spiders.

By Liam Donovan
'Documents Perform 3.' iPhoto caption: 'Documents Perform 3.' Photo by T Photo Factory.

REVIEW: The Massey Report shaped Canadians’ perception of the arts. These theatre-makers are rewriting it.

Joining online from across the Americas, more than a dozen artists, artistic producers, cultural leaders, and policymakers add live suggestions to the document, together transforming stuffy bureaucratic language into a rowdy patchwork of compassionate imagining.

By Liam Donovan
iPhoto caption: Stratford's Tom Patterson Theatre. Photo by Ann Baggley.

Jonathan Church’s first Stratford Festival season serves up musicals, Shakespeare, and literature adaptations — with a helping of Saul Rubinek

2027 highlights include a new Canadian Jacob Two-Two musical and two of the Bard’s thornier plays: The Merchant of Venice and The Taming of the Shrew.

By Liam Donovan
Devon Michael Brown as Rusty Charlie with members of the 'Guys and Dolls' company. iPhoto caption: Devon Michael Brown as Rusty Charlie with members of the 'Guys and Dolls' company.

How Stratford Festival dancer Devon Michael Brown leaps and pirouettes through Guys and Dolls and Something Rotten!

“It's so exhausting, but it's really rewarding when you get to dance so full-out,” says Devon Michael Brown. “You get to use your technique and your training to the fullest extent.”

By Liam Donovan
Ping-Hsiang Wang in 'Retina Maneuver.' iPhoto caption: Ping-Hsiang Wang in 'Retina Maneuver.' Photo by Hang Su.

REVIEW: At this year’s SummerWorks Performance Festival, physical storytelling is central

From a dancer becoming a canine to a shy theatre director practicing his swordsmanship, the shows I’ve seen so far use performers’ bodies to dramatize defiance.

By Liam Donovan
Anna Morreale and Luca McPhee perform at the 2025 MADGEN Theatre Festival. iPhoto caption: Anna Morreale and Luca McPhee perform in 'From Stardust' at the 2025 MADGEN Theatre Festival. Photo by Dave Klassen.

MADGEN Theatre Festival returns to the Danforth

Theatre of the Beat selected four producers under the age of 30 to receive paid mentorship from Toronto theatre-makers. From August 20 to 22, each member of the cohort mounts a new one-act Canadian play.

By Liam Donovan