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Liam Donovan
Liam is Intermission’s senior editor. He lives in Toronto. His Substack newsletter is available at loamdonovan.substack.com.
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iPhoto caption: Steven Sutcliffe and company in 'Twelfth Night.' Photo by Dahlia Katz.
REVIEW: High Park Twelfth Night pays tribute to the crazy things we do for love
As the play’s events ping-pong between seriousness and frivolity, Caroline Toal’s Viola appears constantly aware of the dangerous contradictions in the air, remaining guarded against the chaos' pull — and yet never entirely abandoning the possibility of enchantment.
iPhoto caption: Paul Gross in 'Waiting for Godot.' Photo by David Hou.
Why Paul Gross thinks Waiting for Godot is ‘one of the great achievements of human creativity’
“The audience is with you. You bring them in. There isn't a big division between the stage and the audience,” says Gross, currently playing Vladimir in Waiting for Godot at the Stratford Festival. “They’re the final piece of the storytelling. We need them to complete the circle.”
iPhoto caption: Karl Ang, Ivy Charles, Daniel Maslany, Mariya Khomutova, and Alon Nashman in 'The Division.' Photo by Dahlia Katz.
Productions at Crow’s and Theatre Passe Muraille win top honours at the 2026 Dora Awards
This evening at Meridian Hall, the Toronto Alliance for the Performing Arts (TAPA) announced the recipients of the 46th annual Dora Awards, celebrating local theatre, dance, and opera.
iPhoto caption: 'Golden Rez Dog.' Photo by Philippe Latour.
Creations from Denmark, Hong Kong, Iran, Mexico, and beyond feature in this year’s SummerWorks Performance Festival programming.
iPhoto caption: Photo by Drew Berry.
REVIEW: An homage to Richard Foreman commands us to change our lives — and our theatre
Richard Foreman's plays usually drew on his personal journals and clocked in around 70 minutes; when he passed away last year at the age of 87, he left behind an invitation for directors to create royalty-free work from those journals. With the recently closed You Must Change Your Life at Toronto’s Alumnae Theatre, creator-director Ilana Khanin took up that offer to ludic, collage-like effect.
iPhoto caption: Danny O’Mahony and Emily Kilkenny Roddy in 'Bellow.' Photo by Ste Murray.
REVIEW: This year’s Bealtaine Theatre Festival featured accordions, ketamine, and James Joyce
The festival serves up a curated program of contemporary theatre from Ireland — appreciated, in a city that punches below its weight in terms of international performing arts offerings from countries it doesn’t border.
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