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Photo by Michael Cooper.
Liam Donovan
Liam is Intermission’s senior editor. His writing has appeared in publications like Maisonneuve, This, and NEXT. He loves the original Super Mario game very much.
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iPhoto caption: The cast of Fat Fables. Photo by Roya DelSol.
SummerWorks Performance Festival announces 2025 lineup
Taking place from August 7 to 17, the 2025 festival features more than 35 projects and over 200 artists.
iPhoto caption: Kyle Brown, Richard Lam, and Sydney Cochrane in 'The Frogs.' Photo by Dahlia Katz.
Staged inches from the audience by director Griffin Hewitt, the show commendably captures the free-wheeling, anarchic spirit of the text. It’s a toad-ally great opportunity to see this rarity in the froggy flesh.
iPhoto caption: Jeff Lillico as Ralph with Yoshie Bancroft as Mitsue in 'Forgiveness.' Photo by David Hou.
REVIEW: Stratford Festival’s Forgiveness tells a deeply personal story on a sprawling scale
Presented in an increasingly tense political moment, Forgiveness resonates on a level that is part reflection, part warning.
iPhoto caption: L: Lara Arabian in promo still for 'Siranoush.' Photo by Robert J. Brodey.
R: Babz Johnston as Ginger Spice in Wannabe: A Spice Girls Tribute. Photo by Screamsmedia.
“It feels lovely to be in this curated window of [the festival],” says Siranoush writer-performer Lara Arabian. "We are excited to have a conversation with the Fringe audience.”
iPhoto caption: Photo courtesy of Luminato Festival.
REVIEW: Is Tim Crouch’s An Oak Tree worth seeing twice at Luminato?
Crouch tests the limits of theatrical representation, improvisation, and authorship. While I’m usually a sucker for exactly those types of experiments, I ultimately found An Oak Tree a bit underwhelming.
iPhoto caption: Jaime Lujan in 'Reina.' Photo by Eden Graham.
REVIEW: Documenting seven Toronto indie shows, from Factory Theatre to the Tranzac Club and beyond
I’ve started writing brief reviews of Toronto productions Intermission isn’t otherwise covering, and stowing them away until I collect enough to publish in a batch. And now here I am, with seven.
iPhoto caption: Jaime Lujan in 'Reina.' Photo by Eden Graham.
REVIEW: Documenting seven Toronto indie shows, from Factory Theatre to the Tranzac Club and beyond
I’ve started writing brief reviews of Toronto productions Intermission isn’t otherwise covering, and stowing them away until I collect enough to publish in a batch. And now here I am, with seven.
iPhoto caption: Members of the company in 'Annie.' Photo by David Hou.
Stratford Festival reviews: Macbeth, As You Like It, Annie, and Dirty Rotten Scoundrels
While the four productions I reviewed spanned different genres and styles, the presence of household-name director-designer Robert Lepage led me to reflect more broadly on the craft of directing, and how the demands of specific shows shift what’s entailed in that intense, wide-reaching job.
iPhoto caption: Photo of Kay-Ann Ward, El Experimento, and Adam Francis-Proulx by Joy Adeola.
Toronto Fringe unveils full 2025 programming
Tickets are now on sale for the 37th annual Toronto Fringe Festival, showcasing over 100 shows in 22 spaces across the city.
iPhoto caption: 'Lacrima' photo by Christophe Raynaud de Lage.
REVIEW: Montreal’s boundary-pushing Festival TransAmériques wrestles with art’s larger purpose
While I only saw a small portion of FTA's deftly constructed, 20-show lineup, I observed in this year’s programming a definite commitment to platforming artists interested in questioning theatre’s relationship to the real world.
iPhoto caption: Mary Antonini as Reno Sweeney with the cast of 'Anything Goes' (Shaw Festival, 2025). Photo by David Cooper.
REVIEW: Shaw Festival’s Anything Goes is a fizzy, old-school tonic
As the script pivots between romance and farce, director-choreographer Kimberley Rampersad rides the stylistic waves, creating a production that’s sometimes grounded, sometimes cartoonish.
iPhoto caption: Photo of Olivia Ansell by Jenna Hum.
“As a newcomer to Toronto, I was immediately inspired by what makes the city tick,” says artistic director Olivia Ansell. “I really embrace this sense that the city has a pulse.”
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