Rebecca Northan
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Pride and Prejudice gets a postmodern makeover at London’s Grand Theatre
In spite of some missed opportunities, Pride and Prejudice ends up a lighthearted recontextualization of its source material, which should appease all but the most stolid Janeites.
iPhoto caption: Goblin:Macbeth production still by Jae Yang.
REVIEW: Goblin:Macbeth might just leave you gobsmacked
While most of the entertainment comes from the goblins’ antics whenever the Shakespearean text is paused or subverted for comic effect, the secret sauce to this whole endeavour is that it really is an honest-to-goodness staging of that text, designed to showcase the performers’ near-virtuosic mastery of the material.
Being That Asshole, Actual Milk, and a Cat Named Karen
Online theatre is to actual theatre what almond milk is to actual milk. Or what Nicolas Cage movies are to actual movies.
Dying Wrong, Dying Redundantly, and Dying for a Manicure
Andrew Scheer has revealed himself, throughout this entire pandemic, to be a truly rare anomaly: a douche that actually makes things smell worse.