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iPhoto caption: Members of the North American touring company of 'MJ.' Photo by Matthew Murphy.
Review of MJ: The Musical among winners at the 2025 Nathan Cohen Awards
The Canadian Theatre Critics Association has announced the winners of the 2025 Nathan Cohen Awards for Excellence in Critical Writing. This year’s prizes for outstanding review and critical essay were adjudicated by Natasha Tripney, international editor of the Stage.
iPhoto caption: Members of the company of 'Some Like It Hot.' Photo by Matthew Murphy.
REVIEW: Inventive choreography powers delightful Some Like It Hot at Mirvish
The gears of Casey Nicholaw’s production are well-oiled. Despite Art Deco set design and plenty of era-appropriate choreography, the show moves with contemporary fluidity.
iPhoto caption: Mike Nadajewski in 'All the Cows Are Dead.' Photo by Dahlia Katz.
REVIEW: Two critics compare reactions to TIFT’s new musical All the Cows Are Dead
Liam wrote about observing the production's rehearsal process. Shivani viewed the musical without any insider knowledge. On the way home from seeing the show in Barrie, they discuss.
iPhoto caption: Louise Pitre in 'Kimberly Akimbo.' Photo by Emelia Hellman.
REVIEW: Mirvish’s well-cast Kimberly Akimbo never stops surprising
The simple and the unconventional meld radiantly throughout Jeanine Tesori and David Lindsay-Abaire's Tony Award-dominating 2021 musical.
iPhoto caption: Athena So, Mike Nadajewski, Taylor Garwood, and Ben Page in rehearsal for 'All the Cows Are Dead.' Photo by Dahlia Katz.
What I discovered at rehearsals for TIFT’s world premiere musical All the Cows Are Dead
I’m sure most new musicals have interesting rehearsal processes — but it helped my excitement level that All the Cows Are Dead is a site-specific, existential two-hander from one of Ontario’s most risk-taking companies. There'll also be countless balloons.
iPhoto caption: L to R, top to bottom: 'The 39 Steps' (photo by Raph Nogal), 'Benevolence' (photo by Jae Yang), 'The Born-Again Crow' (photo by Jeremy Mimnagh), 'Dimanche' (photo by Thomas Müller), 'Last Landscape' (photo by Fran Chudnoff), 'The Merchant of Venice' (photo by Kyle Purcell), 'Slave Play' (photo by Dahlia Katz), 'Waiting for Godot' (photo by Elana Emer), 'The Welkin' (photo by Dahlia Katz).
Twelve indelible moments of performance from 2025
With the lights fading on another year of fleeting thrills in dark rooms, we asked 12 Ontario performing arts writers to reflect on a moment that stayed with them. The results mainly stem from Toronto theatre productions, but there are a few surprises weaved in.
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